Dark Night vs Obstinate Orange
Both from Sherwin-Williams's palette. Dark Night reads as blue, while Obstinate Orange reads as pink-red — two distinct hue families, not close cousins. Obstinate Orange (LRV 21) reflects noticeably more light than Dark Night (LRV 4), a difference of 18 points that becomes especially apparent in rooms with limited natural light. Dark Night runs cool while Obstinate Orange is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 84.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dark Night vs Obstinate Orange in Real Spaces
2 real rooms side by side. Seeing Dark Night and Obstinate Orange in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Obstinate Orange reflects noticeably more light off the walls, making the space read more open than Dark Night.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Obstinate Orange will make the room feel meaningfully brighter than Dark Night would.
Color Details
Dark Night vs Obstinate Orange Simulated Comparison
5 simulated room previews — drag the slider on each to see Dark Night on one side and Obstinate Orange on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dark Night comparisons
See how Dark Night stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 4, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 4), opening up a space where Dark Night encloses it.
With LRVs of 6 and 4, the two reflect almost the same amount of light.
At LRV 52 vs 4, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 4, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 4), opening up a space where Dark Night encloses it.
At LRV 60 vs 4, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 4), opening up a space where Dark Night encloses it.
Denim Drift reflects far more light (LRV 27 vs 4), opening up a space where Dark Night encloses it.
At LRV 43 vs 4, French Gray is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 4 vs 4), so neither reads brighter in a room.
Tranquil Dawn reflects far more light (LRV 55 vs 4), opening up a space where Dark Night encloses it.
Bancha reads slightly lighter (LRV 13 vs 4), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 4), opening up a space where Dark Night encloses it.
At LRV 84 vs 4, Pure White is decisively the brighter choice.
At LRV 21 vs 4, Artichoke is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 4), opening up a space where Dark Night encloses it.
Shoji White reflects far more light (LRV 74 vs 4), opening up a space where Dark Night encloses it.
Snowbound reflects far more light (LRV 83 vs 4), opening up a space where Dark Night encloses it.
At LRV 51 vs 4, Pigeon is decisively the brighter choice.
Pewter Green reads slightly lighter (LRV 12 vs 4), a gap that shows most in low-lit rooms.
Duck Green reads slightly lighter (LRV 8 vs 4), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 4), opening up a space where Dark Night encloses it.
At LRV 41 vs 4, Dix Blue is decisively the brighter choice.
Vintage Vogue reads slightly lighter (LRV 12 vs 4), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 4), opening up a space where Dark Night encloses it.
At LRV 31 vs 4, Pale Green is decisively the brighter choice.