
Delft vs Silver Lake
Delft and Silver Lake come from the same Sherwin-Williams collection. These are both blue-greys, so the question isn't which hue to choose — it's where within blue-grey to land. The 20-point LRV gap — 53 for Silver Lake vs 33 for Delft — means Silver Lake will open up a space more effectively. Both share a cool character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 14.1 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Delft vs Silver Lake Simulated Comparison
5 simulated room previews — drag the slider on each to see Delft on one side and Silver Lake on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Delft comparisons
See how Delft stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 33), opening up a space where Delft encloses it.


At LRV 52 vs 33, Purbeck Stone is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 33 vs 30), so neither reads brighter in a room.


At LRV 60 vs 33, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 33), opening up a space where Delft encloses it.


Delft reads slightly lighter (LRV 33 vs 27), a gap that shows most in low-lit rooms.


A 10-point LRV gap (43 vs 33) makes French Gray the marginally brighter of the two.


Tranquil Dawn reflects far more light (LRV 55 vs 33), opening up a space where Delft encloses it.


Hardwick White reads slightly lighter (LRV 44 vs 33), a gap that shows most in low-lit rooms.


At LRV 84 vs 33, Pure White is decisively the brighter choice.


Balboa Mist reflects far more light (LRV 66 vs 33), opening up a space where Delft encloses it.


Shoji White reflects far more light (LRV 74 vs 33), opening up a space where Delft encloses it.


Delft reflects far more light (LRV 33 vs 12), opening up a space where Pewter Green encloses it.


Skimming Stone reflects far more light (LRV 68 vs 33), opening up a space where Delft encloses it.


Delft reflects far more light (LRV 33 vs 12), opening up a space where Vintage Vogue encloses it.


Saybrook Sage reflects far more light (LRV 45 vs 33), opening up a space where Delft encloses it.


Their light reflectance is nearly identical (LRV 33 vs 31), so neither reads brighter in a room.


A 9-point LRV gap (33 vs 24) makes Delft the marginally brighter of the two.


At LRV 57 vs 33, Guilford Green is decisively the brighter choice.




















