
Delft vs Uncertain Gray
Both from Sherwin-Williams's palette. Delft reads as blue-grey, while Uncertain Gray reads as grey — two distinct hue families, not close cousins. Uncertain Gray (LRV 43) reflects noticeably more light than Delft (LRV 33), a difference of 10 points that becomes especially apparent in rooms with limited natural light. Delft runs cool while Uncertain Gray is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. The ΔE 8.7 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Delft vs Uncertain Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Delft on one side and Uncertain Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Delft comparisons
See how Delft stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 33), opening up a space where Delft encloses it.


At LRV 52 vs 33, Purbeck Stone is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 33 vs 30), so neither reads brighter in a room.


At LRV 60 vs 33, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 33), opening up a space where Delft encloses it.


Delft reads slightly lighter (LRV 33 vs 27), a gap that shows most in low-lit rooms.


A 10-point LRV gap (43 vs 33) makes French Gray the marginally brighter of the two.


Tranquil Dawn reflects far more light (LRV 55 vs 33), opening up a space where Delft encloses it.


Hardwick White reads slightly lighter (LRV 44 vs 33), a gap that shows most in low-lit rooms.


At LRV 84 vs 33, Pure White is decisively the brighter choice.


Balboa Mist reflects far more light (LRV 66 vs 33), opening up a space where Delft encloses it.


Shoji White reflects far more light (LRV 74 vs 33), opening up a space where Delft encloses it.


Delft reflects far more light (LRV 33 vs 12), opening up a space where Pewter Green encloses it.


Skimming Stone reflects far more light (LRV 68 vs 33), opening up a space where Delft encloses it.


Delft reflects far more light (LRV 33 vs 12), opening up a space where Vintage Vogue encloses it.


Saybrook Sage reflects far more light (LRV 45 vs 33), opening up a space where Delft encloses it.


Their light reflectance is nearly identical (LRV 33 vs 31), so neither reads brighter in a room.


A 9-point LRV gap (33 vs 24) makes Delft the marginally brighter of the two.


At LRV 57 vs 33, Guilford Green is decisively the brighter choice.




















