Down Pour vs Naval
Both from Sherwin-Williams's palette. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. Down Pour (LRV 15) reflects noticeably more light than Naval (LRV 4), a difference of 10 points that becomes especially apparent in rooms with limited natural light. Both lean cool, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 22.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Down Pour vs Naval in Real Spaces
5 real rooms side by side. Seeing Down Pour and Naval in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Down Pour will make the room feel meaningfully brighter than Naval would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Down Pour reflects noticeably more light off the walls, making the space read more open than Naval.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Down Pour reflects noticeably more light off the walls, making the space read more open than Naval.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Down Pour reflects noticeably more light off the walls, making the space read more open than Naval.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Down Pour reflects noticeably more light off the walls, making the space read more open than Naval.
Color Details
Down Pour vs Naval Simulated Comparison
5 simulated room previews — drag the slider on each to see Down Pour on one side and Naval on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Down Pour comparisons
See how Down Pour stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 15), opening up a space where Down Pour encloses it.
At LRV 52 vs 15, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 15, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 15, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 15), opening up a space where Down Pour encloses it.
Denim Drift reflects far more light (LRV 27 vs 15), opening up a space where Down Pour encloses it.
At LRV 43 vs 15, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 15), opening up a space where Down Pour encloses it.
Hardwick White reflects far more light (LRV 44 vs 15), opening up a space where Down Pour encloses it.
At LRV 84 vs 15, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 15), opening up a space where Down Pour encloses it.
Shoji White reflects far more light (LRV 74 vs 15), opening up a space where Down Pour encloses it.
Down Pour reads slightly lighter (LRV 15 vs 12), a gap that shows most in low-lit rooms.
Down Pour reads slightly lighter (LRV 15 vs 8), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 15), opening up a space where Down Pour encloses it.
Down Pour reads slightly lighter (LRV 15 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 15), opening up a space where Down Pour encloses it.
At LRV 31 vs 15, Pale Green is decisively the brighter choice.
A 8-point LRV gap (15 vs 7) makes Down Pour the marginally brighter of the two.