Dry Dock vs Rain Cloud
Dry Dock and Rain Cloud come from the same Sherwin-Williams collection. Hue-wise, Dry Dock belongs to the beige-greige family and Rain Cloud to the blue-grey family. The 17-point LRV gap — 28 for Dry Dock vs 11 for Rain Cloud — means Dry Dock will open up a space more effectively. Where Dry Dock leans warm, Rain Cloud reads cool — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 27.5 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dry Dock vs Rain Cloud in Real Spaces
2 real rooms side by side. Seeing Dry Dock and Rain Cloud in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Home Office
Home office walls matter more than most — you're looking at them all day, and a color that reads fine at first can become tiring over time. Dry Dock returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Front Door
On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. Dry Dock reflects noticeably more light off the walls, making the space read more open than Rain Cloud.
Color Details
Dry Dock vs Rain Cloud Simulated Comparison
5 simulated room previews — drag the slider on each to see Dry Dock on one side and Rain Cloud on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dry Dock comparisons
See how Dry Dock stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 28), opening up a space where Dry Dock encloses it.
At LRV 52 vs 28, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 30 vs 28), so neither reads brighter in a room.
At LRV 60 vs 28, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 28), opening up a space where Dry Dock encloses it.
With LRVs of 28 and 27, the two reflect almost the same amount of light.
At LRV 43 vs 28, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 28), opening up a space where Dry Dock encloses it.
Hardwick White reflects far more light (LRV 44 vs 28), opening up a space where Dry Dock encloses it.
At LRV 84 vs 28, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 28), opening up a space where Dry Dock encloses it.
Shoji White reflects far more light (LRV 74 vs 28), opening up a space where Dry Dock encloses it.
Dry Dock reflects far more light (LRV 28 vs 12), opening up a space where Pewter Green encloses it.
Dry Dock reflects far more light (LRV 28 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 28), opening up a space where Dry Dock encloses it.
Dry Dock reflects far more light (LRV 28 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 28), opening up a space where Dry Dock encloses it.
A 3-point LRV gap (31 vs 28) makes Pale Green the marginally brighter of the two.