Earl Grey vs Evergreen Fog
Both are Sherwin-Williams colors. Earl Grey reads as grey, while Evergreen Fog reads as green-grey — two distinct hue families, not close cousins. With LRVs of 32 and 30, they'll behave almost identically in terms of how much light they reflect back into a room. They share a neutral quality — useful to know if you're layering them in the same space. At ΔE 5.2, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 8 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Earl Grey vs Evergreen Fog in Real Spaces
8 real rooms side by side. Earl Grey and Evergreen Fog are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Earl Grey vs Evergreen Fog Simulated Comparison
5 simulated room previews — drag the slider on each to see Earl Grey on one side and Evergreen Fog on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Earl Grey comparisons
See how Earl Grey stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 32, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 32), opening up a space where Earl Grey encloses it.
Agreeable Gray reflects far more light (LRV 60 vs 32), opening up a space where Earl Grey encloses it.
At LRV 58 vs 32, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (32 vs 27) makes Earl Grey the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 32), a gap that shows most in low-lit rooms.
At LRV 55 vs 32, Tranquil Dawn is decisively the brighter choice.
A 12-point LRV gap (44 vs 32) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 32), opening up a space where Earl Grey encloses it.
At LRV 66 vs 32, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 32, Shoji White is decisively the brighter choice.
At LRV 32 vs 12, Earl Grey is decisively the brighter choice.
At LRV 68 vs 32, Skimming Stone is decisively the brighter choice.
At LRV 32 vs 12, Earl Grey is decisively the brighter choice.
At LRV 45 vs 32, Saybrook Sage is decisively the brighter choice.
With LRVs of 32 and 31, the two reflect almost the same amount of light.
Earl Grey reflects far more light (LRV 32 vs 7), opening up a space where Pine Needle encloses it.
Earl Grey reads slightly lighter (LRV 32 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 32), opening up a space where Earl Grey encloses it.
Just Walnut reflects far more light (LRV 72 vs 32), opening up a space where Earl Grey encloses it.