Evening Shadow vs Tinsmith
Both from Sherwin-Williams's palette. These are both greys, so the question isn't which hue to choose — it's where within grey to land. Evening Shadow (LRV 60) reflects noticeably more light than Tinsmith (LRV 57), a difference of 3 points that becomes especially apparent in rooms with limited natural light. Both lean neutral, so they'll behave similarly in mixed or changing light conditions. The ΔE 3.1 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Evening Shadow vs Tinsmith Simulated Comparison
5 simulated room previews — drag the slider on each to see Evening Shadow on one side and Tinsmith on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Evening Shadow comparisons
See how Evening Shadow stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 60), opening up a space where Evening Shadow encloses it.
A 9-point LRV gap (69 vs 60) makes Ammonite the marginally brighter of the two.
Evening Shadow reflects far more light (LRV 60 vs 6), opening up a space where Iron Ore encloses it.
A 8-point LRV gap (60 vs 52) makes Evening Shadow the marginally brighter of the two.
At LRV 60 vs 30, Evening Shadow is decisively the brighter choice.
Evening Shadow reads slightly lighter (LRV 60 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 60 vs 60), so neither reads brighter in a room.
With LRVs of 60 and 58, the two reflect almost the same amount of light.
Evening Shadow reflects far more light (LRV 60 vs 27), opening up a space where Denim Drift encloses it.
At LRV 60 vs 43, Evening Shadow is decisively the brighter choice.
At LRV 60 vs 4, Evening Shadow is decisively the brighter choice.
Evening Shadow reads slightly lighter (LRV 60 vs 55), a gap that shows most in low-lit rooms.
Evening Shadow reflects far more light (LRV 60 vs 13), opening up a space where Bancha encloses it.
Evening Shadow reflects far more light (LRV 60 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 60, Pure White is decisively the brighter choice.
At LRV 60 vs 21, Evening Shadow is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 60), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 60), opening up a space where Evening Shadow encloses it.
Snowbound reflects far more light (LRV 83 vs 60), opening up a space where Evening Shadow encloses it.
Evening Shadow reflects far more light (LRV 60 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
At LRV 60 vs 41, Evening Shadow is decisively the brighter choice.
A 8-point LRV gap (68 vs 60) makes Calamine the marginally brighter of the two.
At LRV 60 vs 25, Evening Shadow is decisively the brighter choice.
Evening Shadow reflects far more light (LRV 60 vs 12), opening up a space where Vintage Vogue encloses it.
Evening Shadow reflects far more light (LRV 60 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 60 vs 31, Evening Shadow is decisively the brighter choice.
At LRV 60 vs 7, Evening Shadow is decisively the brighter choice.
At LRV 60 vs 24, Evening Shadow is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 60 vs 57), so neither reads brighter in a room.