
Filmy Green vs Majolica Green
Both from Sherwin-Williams's palette. Hue-wise, Filmy Green belongs to the green-grey family and Majolica Green to the beige-green family. Filmy Green (LRV 64) reflects noticeably more light than Majolica Green (LRV 42), a difference of 22 points that becomes especially apparent in rooms with limited natural light. Both lean neutral, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 17.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Filmy Green vs Majolica Green Simulated Comparison
5 simulated room previews — drag the slider on each to see Filmy Green on one side and Majolica Green on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Filmy Green comparisons
See how Filmy Green stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 64), opening up a space where Filmy Green encloses it.


A 5-point LRV gap (69 vs 64) makes Ammonite the marginally brighter of the two.


Filmy Green reflects far more light (LRV 64 vs 6), opening up a space where Iron Ore encloses it.


At LRV 64 vs 52, Filmy Green is decisively the brighter choice.


At LRV 64 vs 30, Filmy Green is decisively the brighter choice.


Filmy Green reflects far more light (LRV 64 vs 52), opening up a space where Mizzle encloses it.


A 4-point LRV gap (64 vs 60) makes Filmy Green the marginally brighter of the two.


Filmy Green reads slightly lighter (LRV 64 vs 58), a gap that shows most in low-lit rooms.


Filmy Green reflects far more light (LRV 64 vs 27), opening up a space where Denim Drift encloses it.


At LRV 64 vs 43, Filmy Green is decisively the brighter choice.


At LRV 64 vs 4, Filmy Green is decisively the brighter choice.


Filmy Green reads slightly lighter (LRV 64 vs 55), a gap that shows most in low-lit rooms.


Filmy Green reflects far more light (LRV 64 vs 13), opening up a space where Bancha encloses it.


Filmy Green reflects far more light (LRV 64 vs 44), opening up a space where Hardwick White encloses it.



At LRV 84 vs 64, Pure White is decisively the brighter choice.


At LRV 64 vs 21, Filmy Green is decisively the brighter choice.


With LRVs of 66 and 64, the two reflect almost the same amount of light.


Shoji White reads slightly lighter (LRV 74 vs 64), a gap that shows most in low-lit rooms.


Snowbound reflects far more light (LRV 83 vs 64), opening up a space where Filmy Green encloses it.


Filmy Green reflects far more light (LRV 64 vs 12), opening up a space where Pewter Green encloses it.


Skimming Stone reads slightly lighter (LRV 68 vs 64), a gap that shows most in low-lit rooms.


At LRV 64 vs 41, Filmy Green is decisively the brighter choice.


A 3-point LRV gap (68 vs 64) makes Calamine the marginally brighter of the two.


At LRV 64 vs 25, Filmy Green is decisively the brighter choice.


Filmy Green reflects far more light (LRV 64 vs 12), opening up a space where Vintage Vogue encloses it.


Filmy Green reflects far more light (LRV 64 vs 45), opening up a space where Saybrook Sage encloses it.


At LRV 64 vs 31, Filmy Green is decisively the brighter choice.


At LRV 64 vs 7, Filmy Green is decisively the brighter choice.


At LRV 64 vs 24, Filmy Green is decisively the brighter choice.


A 7-point LRV gap (64 vs 57) makes Filmy Green the marginally brighter of the two.









