Fine Wine vs Iron Ore
Both are Sherwin-Williams colors. Hue-wise, Fine Wine belongs to the pink-red family and Iron Ore to the grey family. With LRVs of 7 and 6, they'll behave almost identically in terms of how much light they reflect back into a room. The tonal difference — Fine Wine's warm character against Iron Ore's neutral — becomes most visible against white trim or in morning light. At ΔE 27.1, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Fine Wine vs Iron Ore in Real Spaces
1 real room side by side. Seeing Fine Wine and Iron Ore in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Iron Ore reads more restrained here, while Fine Wine adds a sense of enclosure and warmth.
Color Details
Fine Wine vs Iron Ore Simulated Comparison
5 simulated room previews — drag the slider on each to see Fine Wine on one side and Iron Ore on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Fine Wine comparisons
See how Fine Wine stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 7, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 7), opening up a space where Fine Wine encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 7), opening up a space where Fine Wine encloses it.
Agreeable Gray reflects far more light (LRV 60 vs 7), opening up a space where Fine Wine encloses it.
At LRV 58 vs 7, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 7, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 7), opening up a space where Fine Wine encloses it.
At LRV 55 vs 7, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 7, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 7), opening up a space where Fine Wine encloses it.
At LRV 66 vs 7, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 7, Shoji White is decisively the brighter choice.
A 5-point LRV gap (12 vs 7) makes Pewter Green the marginally brighter of the two.
At LRV 68 vs 7, Skimming Stone is decisively the brighter choice.
A 5-point LRV gap (12 vs 7) makes Vintage Vogue the marginally brighter of the two.
At LRV 45 vs 7, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 7), opening up a space where Fine Wine encloses it.
With LRVs of 7 and 7, the two reflect almost the same amount of light.
Cement grey reflects far more light (LRV 24 vs 7), opening up a space where Fine Wine encloses it.
Guilford Green reflects far more light (LRV 57 vs 7), opening up a space where Fine Wine encloses it.
Just Walnut reflects far more light (LRV 72 vs 7), opening up a space where Fine Wine encloses it.