Gray Screen vs Shoji White
Both from Sherwin-Williams's palette. Hue-wise, Gray Screen belongs to the grey family and Shoji White to the beige-greige family. Shoji White (LRV 74) reflects noticeably more light than Gray Screen (LRV 59), a difference of 16 points that becomes especially apparent in rooms with limited natural light. Gray Screen runs neutral while Shoji White is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 10.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Gray Screen vs Shoji White in Real Spaces
6 real rooms side by side. Seeing Gray Screen and Shoji White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Shoji White will make the room feel meaningfully brighter than Gray Screen would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Shoji White reflects noticeably more light off the walls, making the space read more open than Gray Screen.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Shoji White reflects noticeably more light off the walls, making the space read more open than Gray Screen.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Shoji White reflects noticeably more light off the walls, making the space read more open than Gray Screen.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Shoji White reflects noticeably more light off the walls, making the space read more open than Gray Screen.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Shoji White reflects noticeably more light off the walls, making the space read more open than Gray Screen.
Color Details
Gray Screen vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see Gray Screen on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Gray Screen comparisons
See how Gray Screen stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 59, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 59), a gap that shows most in low-lit rooms.
At LRV 59 vs 6, Gray Screen is decisively the brighter choice.
Gray Screen reads slightly lighter (LRV 59 vs 52), a gap that shows most in low-lit rooms.
Gray Screen reflects far more light (LRV 59 vs 30), opening up a space where Evergreen Fog encloses it.
A 7-point LRV gap (59 vs 52) makes Gray Screen the marginally brighter of the two.
With LRVs of 60 and 59, the two reflect almost the same amount of light.
Their light reflectance is nearly identical (LRV 59 vs 58), so neither reads brighter in a room.
At LRV 59 vs 27, Gray Screen is decisively the brighter choice.
Gray Screen reflects far more light (LRV 59 vs 43), opening up a space where French Gray encloses it.
Gray Screen reflects far more light (LRV 59 vs 4), opening up a space where Naval encloses it.
A 4-point LRV gap (59 vs 55) makes Gray Screen the marginally brighter of the two.
At LRV 59 vs 13, Gray Screen is decisively the brighter choice.
At LRV 59 vs 44, Gray Screen is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 59), opening up a space where Gray Screen encloses it.
Gray Screen reflects far more light (LRV 59 vs 21), opening up a space where Artichoke encloses it.
A 7-point LRV gap (66 vs 59) makes Balboa Mist the marginally brighter of the two.
At LRV 83 vs 59, Snowbound is decisively the brighter choice.
At LRV 59 vs 12, Gray Screen is decisively the brighter choice.
A 10-point LRV gap (68 vs 59) makes Skimming Stone the marginally brighter of the two.
Gray Screen reflects far more light (LRV 59 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 59), a gap that shows most in low-lit rooms.
Gray Screen reflects far more light (LRV 59 vs 25), opening up a space where Treron encloses it.
At LRV 59 vs 12, Gray Screen is decisively the brighter choice.
At LRV 59 vs 45, Gray Screen is decisively the brighter choice.
Gray Screen reflects far more light (LRV 59 vs 31), opening up a space where Pale Green encloses it.
Gray Screen reflects far more light (LRV 59 vs 7), opening up a space where Pine Needle encloses it.
Gray Screen reflects far more light (LRV 59 vs 24), opening up a space where Cement grey encloses it.
With LRVs of 59 and 57, the two reflect almost the same amount of light.
Just Walnut reflects far more light (LRV 72 vs 59), opening up a space where Gray Screen encloses it.