In The Pink vs Orchid
In The Pink is a Sherwin-Williams color while Orchid comes from Tikkurila. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. At LRV 67 vs 59, Orchid will read as the brighter of the two — a 8-point gap that matters most in north-facing or low-light rooms. At ΔE 9.6, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
In The Pink vs Orchid Simulated Comparison
5 simulated room previews — drag the slider on each to see In The Pink on one side and Orchid on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In The Pink comparisons
See how In The Pink stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 59, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 59), a gap that shows most in low-lit rooms.
At LRV 59 vs 6, In The Pink is decisively the brighter choice.
In The Pink reads slightly lighter (LRV 59 vs 52), a gap that shows most in low-lit rooms.
In The Pink reflects far more light (LRV 59 vs 30), opening up a space where Evergreen Fog encloses it.
A 7-point LRV gap (59 vs 52) makes In The Pink the marginally brighter of the two.
With LRVs of 60 and 59, the two reflect almost the same amount of light.
Their light reflectance is nearly identical (LRV 59 vs 58), so neither reads brighter in a room.
At LRV 59 vs 27, In The Pink is decisively the brighter choice.
In The Pink reflects far more light (LRV 59 vs 43), opening up a space where French Gray encloses it.
In The Pink reflects far more light (LRV 59 vs 4), opening up a space where Naval encloses it.
A 4-point LRV gap (59 vs 55) makes In The Pink the marginally brighter of the two.
At LRV 59 vs 13, In The Pink is decisively the brighter choice.
At LRV 59 vs 44, In The Pink is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 59), opening up a space where In The Pink encloses it.
In The Pink reflects far more light (LRV 59 vs 21), opening up a space where Artichoke encloses it.
A 7-point LRV gap (66 vs 59) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 59, Shoji White is decisively the brighter choice.
At LRV 83 vs 59, Snowbound is decisively the brighter choice.
At LRV 59 vs 12, In The Pink is decisively the brighter choice.
A 9-point LRV gap (68 vs 59) makes Skimming Stone the marginally brighter of the two.
In The Pink reflects far more light (LRV 59 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 59), a gap that shows most in low-lit rooms.
In The Pink reflects far more light (LRV 59 vs 25), opening up a space where Treron encloses it.
At LRV 59 vs 12, In The Pink is decisively the brighter choice.
At LRV 59 vs 45, In The Pink is decisively the brighter choice.
In The Pink reflects far more light (LRV 59 vs 31), opening up a space where Pale Green encloses it.
In The Pink reflects far more light (LRV 59 vs 7), opening up a space where Pine Needle encloses it.
In The Pink reflects far more light (LRV 59 vs 24), opening up a space where Cement grey encloses it.
With LRVs of 59 and 57, the two reflect almost the same amount of light.