Inland vs White Mint paint color comparison

Inland vs White Mint

InlandSherwin-WilliamsvsWhite MintSherwin-WilliamsΔE 40.0Very different colors

Both from Sherwin-Williams's palette. Hue-wise, Inland belongs to the green-grey family and White Mint to the green-white family. White Mint (LRV 78) reflects noticeably more light than Inland (LRV 22), a difference of 56 points that becomes especially apparent in rooms with limited natural light. Inland runs cool while White Mint is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 40.0, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Inland vs White Mint in Real Spaces

4 real rooms side by side. Seeing Inland and White Mint in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that White Mint will make the room feel meaningfully brighter than Inland would.

InlandA elegant living room painted in Inland

@mybudgetrecipes

White MintSW White Mint living room color review

@trianglepropainting

Kitchen

In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. White Mint reflects noticeably more light off the walls, making the space read more open than Inland.

InlandInland — minimalist kitchen

@mybudgetrecipes

White MintSW White Mint kitchen

@trianglepropainting

Bathroom

Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. White Mint reflects noticeably more light off the walls, making the space read more open than Inland.

InlandInland — traditional bathroom

@mybudgetrecipes

White MintSW White Mint bathroom paint

@ro3llc

House

Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. White Mint reflects noticeably more light off the walls, making the space read more open than Inland.

InlandInland color — modern luxury house inspiration

@mybudgetrecipes

White MintSW White Mint exterior color

@70westbuilders

Color Details

Inland
Sherwin-Williams · 6452
LRV21.9
BrandSherwin-Williams
Number6452
Undertone
TemperatureCool
BrightnessMedium
White Mint
Sherwin-Williams · 6441
LRV78.4
BrandSherwin-Williams
Number6441
Undertone
TemperatureNeutral
BrightnessLight

Inland vs White Mint Simulated Comparison

5 simulated room previews — drag the slider on each to see Inland on one side and White Mint on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Inland comparisons

See how Inland stacks up against other well-photographed colors across different brands and tones.

Ammonite
Inland
Ammonite
Inland
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
Inland
6452 · LRV 22

Ammonite reflects far more light (LRV 69 vs 22), opening up a space where Inland encloses it.

White Dove
Inland
White Dove
Inland
Sherwin-Williams
Inland
6452 · LRV 22

At LRV 83 vs 22, White Dove is decisively the brighter choice.

Inland
Iron Ore
Inland
Iron Ore
Sherwin-Williams
Inland
6452 · LRV 22

At LRV 22 vs 6, Inland is decisively the brighter choice.

Purbeck Stone
Inland
Purbeck Stone
Inland
Sherwin-Williams
Inland
6452 · LRV 22

Purbeck Stone reflects far more light (LRV 52 vs 22), opening up a space where Inland encloses it.

Evergreen Fog
Inland
Evergreen Fog
Inland
Sherwin-Williams
Inland
6452 · LRV 22

Evergreen Fog reads slightly lighter (LRV 30 vs 22), a gap that shows most in low-lit rooms.

Mizzle
Inland
Mizzle
Inland
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
Inland
6452 · LRV 22

At LRV 52 vs 22, Mizzle is decisively the brighter choice.

Agreeable Gray
Inland
Agreeable Gray
Inland
Sherwin-Williams
Inland
6452 · LRV 22

Agreeable Gray reflects far more light (LRV 60 vs 22), opening up a space where Inland encloses it.

Accessible Beige
Inland
Accessible Beige
Inland
Sherwin-Williams
Inland
6452 · LRV 22

At LRV 58 vs 22, Accessible Beige is decisively the brighter choice.

Denim Drift
Inland
Denim Drift
Inland
Sherwin-Williams
Inland
6452 · LRV 22

A 5-point LRV gap (27 vs 22) makes Denim Drift the marginally brighter of the two.

French Gray
Inland
French Gray
Inland
Sherwin-Williams
Inland
6452 · LRV 22

French Gray reflects far more light (LRV 43 vs 22), opening up a space where Inland encloses it.

Inland
Naval
Inland
Naval
Sherwin-Williams
Inland
6452 · LRV 22
Sherwin-Williams
Naval
LRV 4

Inland reflects far more light (LRV 22 vs 4), opening up a space where Naval encloses it.

Tranquil Dawn
Inland
Tranquil Dawn
Inland
Sherwin-Williams
Inland
6452 · LRV 22

At LRV 55 vs 22, Tranquil Dawn is decisively the brighter choice.

Bancha
Inland
Bancha
Inland
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
Inland
6452 · LRV 22

A 9-point LRV gap (22 vs 13) makes Inland the marginally brighter of the two.

Hardwick White
Inland
Hardwick White
Inland
Sherwin-Williams
Inland
6452 · LRV 22

At LRV 44 vs 22, Hardwick White is decisively the brighter choice.

Inland
Pure White
Inland
Pure White
Sherwin-Williams
Inland
6452 · LRV 22

Pure White reflects far more light (LRV 84 vs 22), opening up a space where Inland encloses it.

Artichoke
Inland
Artichoke
Inland
Sherwin-Williams
Artichoke
LRV 21
Sherwin-Williams
Inland
6452 · LRV 22

With LRVs of 22 and 21, the two reflect almost the same amount of light.

Balboa Mist
Inland
Balboa Mist
Inland
Sherwin-Williams
Inland
6452 · LRV 22

At LRV 66 vs 22, Balboa Mist is decisively the brighter choice.

Inland
Shoji White
Inland
Shoji White
Sherwin-Williams
Inland
6452 · LRV 22

At LRV 74 vs 22, Shoji White is decisively the brighter choice.

Inland
Snowbound
Inland
Snowbound
Sherwin-Williams
Inland
6452 · LRV 22
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 22, Snowbound is decisively the brighter choice.

Pigeon
Inland
Pigeon
Inland
Farrow & Ball
Pigeon
LRV 51
Sherwin-Williams
Inland
6452 · LRV 22

Pigeon reflects far more light (LRV 51 vs 22), opening up a space where Inland encloses it.

Inland
Pewter Green
Inland
Pewter Green
Sherwin-Williams
Inland
6452 · LRV 22

A 10-point LRV gap (22 vs 12) makes Inland the marginally brighter of the two.

Duck Green
Inland
Duck Green
Inland
Sherwin-Williams
Inland
6452 · LRV 22

At LRV 22 vs 8, Inland is decisively the brighter choice.

Skimming Stone
Inland
Skimming Stone
Inland
Sherwin-Williams
Inland
6452 · LRV 22

At LRV 68 vs 22, Skimming Stone is decisively the brighter choice.

Dix Blue
Inland
Dix Blue
Inland
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
Inland
6452 · LRV 22

Dix Blue reflects far more light (LRV 41 vs 22), opening up a space where Inland encloses it.

Hicks' Blue
Inland
Hicks' Blue
Inland
Sherwin-Williams
Inland
6452 · LRV 22

Hicks' Blue vs Inland

Slaked Lime Deep
Inland
Slaked Lime Deep
Inland
Sherwin-Williams
Inland
6452 · LRV 22

Slaked Lime Deep vs Inland

Vintage Vogue
Inland
Vintage Vogue
Inland
Sherwin-Williams
Inland
6452 · LRV 22

A 10-point LRV gap (22 vs 12) makes Inland the marginally brighter of the two.

Livid
Inland
Livid
Inland
Sherwin-Williams
Inland
6452 · LRV 22

Livid vs Inland

Saybrook Sage
Inland
Saybrook Sage
Inland
Sherwin-Williams
Inland
6452 · LRV 22

At LRV 45 vs 22, Saybrook Sage is decisively the brighter choice.

Pale Green
Inland
Pale Green
Inland
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
Inland
6452 · LRV 22

Pale Green reads slightly lighter (LRV 31 vs 22), a gap that shows most in low-lit rooms.