Limewash vs Modern Gray
Both from Sherwin-Williams's palette. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. Limewash (LRV 67) reflects noticeably more light than Modern Gray (LRV 62), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. At ΔE 2.6, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Limewash vs Modern Gray in Real Spaces
3 real rooms side by side. Limewash and Modern Gray are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Limewash gives the walls a little more lift.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Limewash reads slightly lighter here — a subtle but real difference in how open the space feels.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Limewash reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Limewash vs Modern Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Limewash on one side and Modern Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Limewash comparisons
See how Limewash stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 67, White Dove is decisively the brighter choice.
Limewash reflects far more light (LRV 67 vs 52), opening up a space where Purbeck Stone encloses it.
Limewash reflects far more light (LRV 67 vs 30), opening up a space where Evergreen Fog encloses it.
Limewash reads slightly lighter (LRV 67 vs 60), a gap that shows most in low-lit rooms.
A 9-point LRV gap (67 vs 58) makes Limewash the marginally brighter of the two.
At LRV 67 vs 27, Limewash is decisively the brighter choice.
Limewash reflects far more light (LRV 67 vs 43), opening up a space where French Gray encloses it.
A 12-point LRV gap (67 vs 55) makes Limewash the marginally brighter of the two.
At LRV 67 vs 44, Limewash is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 67), opening up a space where Limewash encloses it.
Their light reflectance is nearly identical (LRV 67 vs 66), so neither reads brighter in a room.
A 7-point LRV gap (74 vs 67) makes Shoji White the marginally brighter of the two.
At LRV 67 vs 12, Limewash is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 67), so neither reads brighter in a room.
At LRV 67 vs 12, Limewash is decisively the brighter choice.
At LRV 67 vs 45, Limewash is decisively the brighter choice.
Limewash reflects far more light (LRV 67 vs 31), opening up a space where Pale Green encloses it.
Limewash reflects far more light (LRV 67 vs 7), opening up a space where Pine Needle encloses it.
Limewash reflects far more light (LRV 67 vs 24), opening up a space where Cement grey encloses it.
Limewash reads slightly lighter (LRV 67 vs 57), a gap that shows most in low-lit rooms.