Link Gray vs Mountain Road
Both from Sherwin-Williams's palette. These are both greys, so the question isn't which hue to choose — it's where within grey to land. Mountain Road (LRV 23) reflects noticeably more light than Link Gray (LRV 21), a difference of 3 points that becomes especially apparent in rooms with limited natural light. Both lean neutral, so they'll behave similarly in mixed or changing light conditions. At ΔE 2.8, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Link Gray vs Mountain Road in Real Spaces
2 real rooms side by side. Link Gray and Mountain Road are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Link Gray vs Mountain Road Simulated Comparison
5 simulated room previews — drag the slider on each to see Link Gray on one side and Mountain Road on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Link Gray comparisons
See how Link Gray stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 21, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 21), opening up a space where Link Gray encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 21), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 21), opening up a space where Link Gray encloses it.
At LRV 58 vs 21, Accessible Beige is decisively the brighter choice.
A 6-point LRV gap (27 vs 21) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 21), opening up a space where Link Gray encloses it.
At LRV 55 vs 21, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 21, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 21), opening up a space where Link Gray encloses it.
At LRV 66 vs 21, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 21, Shoji White is decisively the brighter choice.
A 9-point LRV gap (21 vs 12) makes Link Gray the marginally brighter of the two.
At LRV 68 vs 21, Skimming Stone is decisively the brighter choice.
A 9-point LRV gap (21 vs 12) makes Link Gray the marginally brighter of the two.
At LRV 45 vs 21, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 21), a gap that shows most in low-lit rooms.
Link Gray reflects far more light (LRV 21 vs 7), opening up a space where Pine Needle encloses it.
Cement grey reads slightly lighter (LRV 24 vs 21), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 21), opening up a space where Link Gray encloses it.