March Wind vs Studio Clay
Both from Sherwin-Williams's palette. March Wind reads as grey, while Studio Clay reads as greige-grey — two distinct hue families, not close cousins. March Wind (LRV 49) reflects noticeably more light than Studio Clay (LRV 27), a difference of 22 points that becomes especially apparent in rooms with limited natural light. March Wind runs neutral while Studio Clay is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 17.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
March Wind vs Studio Clay Simulated Comparison
5 simulated room previews — drag the slider on each to see March Wind on one side and Studio Clay on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More March Wind comparisons
See how March Wind stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 49, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 49), opening up a space where March Wind encloses it.
At LRV 49 vs 6, March Wind is decisively the brighter choice.
Purbeck Stone reads slightly lighter (LRV 52 vs 49), a gap that shows most in low-lit rooms.
March Wind reflects far more light (LRV 49 vs 30), opening up a space where Evergreen Fog encloses it.
Their light reflectance is nearly identical (LRV 52 vs 49), so neither reads brighter in a room.
Agreeable Gray reads slightly lighter (LRV 60 vs 49), a gap that shows most in low-lit rooms.
A 9-point LRV gap (58 vs 49) makes Accessible Beige the marginally brighter of the two.
At LRV 49 vs 27, March Wind is decisively the brighter choice.
March Wind reads slightly lighter (LRV 49 vs 43), a gap that shows most in low-lit rooms.
March Wind reflects far more light (LRV 49 vs 4), opening up a space where Naval encloses it.
A 6-point LRV gap (55 vs 49) makes Tranquil Dawn the marginally brighter of the two.
At LRV 49 vs 13, March Wind is decisively the brighter choice.
A 5-point LRV gap (49 vs 44) makes March Wind the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 49), opening up a space where March Wind encloses it.
March Wind reflects far more light (LRV 49 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 49, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 49, Shoji White is decisively the brighter choice.
At LRV 83 vs 49, Snowbound is decisively the brighter choice.
At LRV 49 vs 12, March Wind is decisively the brighter choice.
At LRV 68 vs 49, Skimming Stone is decisively the brighter choice.
March Wind reads slightly lighter (LRV 49 vs 41), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 49), opening up a space where March Wind encloses it.
March Wind reflects far more light (LRV 49 vs 25), opening up a space where Treron encloses it.
At LRV 49 vs 12, March Wind is decisively the brighter choice.
A 3-point LRV gap (49 vs 45) makes March Wind the marginally brighter of the two.
March Wind reflects far more light (LRV 49 vs 31), opening up a space where Pale Green encloses it.
March Wind reflects far more light (LRV 49 vs 7), opening up a space where Pine Needle encloses it.
March Wind reflects far more light (LRV 49 vs 24), opening up a space where Cement grey encloses it.
Guilford Green reads slightly lighter (LRV 57 vs 49), a gap that shows most in low-lit rooms.