Melon Tint vs Shoji White
Both from Sherwin-Williams's palette. Hue-wise, Melon Tint belongs to the beige family and Shoji White to the beige-greige family. Melon Tint (LRV 82) reflects noticeably more light than Shoji White (LRV 74), a difference of 8 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. The ΔE 6.2 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Melon Tint vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see Melon Tint on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Melon Tint comparisons
See how Melon Tint stacks up against other well-photographed colors across different brands and tones.

With LRVs of 83 and 82, the two reflect almost the same amount of light.

At LRV 82 vs 69, Melon Tint is decisively the brighter choice.

Melon Tint reflects far more light (LRV 82 vs 6), opening up a space where Iron Ore encloses it.

At LRV 82 vs 52, Melon Tint is decisively the brighter choice.

At LRV 82 vs 30, Melon Tint is decisively the brighter choice.

Melon Tint reflects far more light (LRV 82 vs 52), opening up a space where Mizzle encloses it.

At LRV 82 vs 60, Melon Tint is decisively the brighter choice.

Melon Tint reflects far more light (LRV 82 vs 58), opening up a space where Accessible Beige encloses it.

Melon Tint reflects far more light (LRV 82 vs 27), opening up a space where Denim Drift encloses it.

At LRV 82 vs 43, Melon Tint is decisively the brighter choice.

At LRV 82 vs 4, Melon Tint is decisively the brighter choice.

Melon Tint reflects far more light (LRV 82 vs 55), opening up a space where Tranquil Dawn encloses it.

Melon Tint reflects far more light (LRV 82 vs 13), opening up a space where Bancha encloses it.

Melon Tint reflects far more light (LRV 82 vs 44), opening up a space where Hardwick White encloses it.

Their light reflectance is nearly identical (LRV 84 vs 82), so neither reads brighter in a room.

At LRV 82 vs 21, Melon Tint is decisively the brighter choice.

Melon Tint reflects far more light (LRV 82 vs 66), opening up a space where Balboa Mist encloses it.

With LRVs of 83 and 82, the two reflect almost the same amount of light.

Melon Tint reflects far more light (LRV 82 vs 12), opening up a space where Pewter Green encloses it.

Melon Tint reflects far more light (LRV 82 vs 68), opening up a space where Skimming Stone encloses it.

At LRV 82 vs 41, Melon Tint is decisively the brighter choice.

At LRV 82 vs 68, Melon Tint is decisively the brighter choice.

At LRV 82 vs 25, Melon Tint is decisively the brighter choice.

Melon Tint reflects far more light (LRV 82 vs 12), opening up a space where Vintage Vogue encloses it.

Melon Tint reflects far more light (LRV 82 vs 45), opening up a space where Saybrook Sage encloses it.

At LRV 82 vs 31, Melon Tint is decisively the brighter choice.

At LRV 82 vs 7, Melon Tint is decisively the brighter choice.

At LRV 82 vs 24, Melon Tint is decisively the brighter choice.

At LRV 82 vs 57, Melon Tint is decisively the brighter choice.

A 10-point LRV gap (82 vs 72) makes Melon Tint the marginally brighter of the two.









