Minor Blue vs Something Blue
Minor Blue and Something Blue come from the same Sherwin-Williams collection. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. The 5-point LRV gap — 68 for Minor Blue vs 63 for Something Blue — means Minor Blue will open up a space more effectively. Both share a cool character, which means they'll respond to light and surrounding materials in similar ways. ΔE 4.8 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Minor Blue vs Something Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Minor Blue on one side and Something Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Minor Blue comparisons
See how Minor Blue stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 68, White Dove is decisively the brighter choice.
With LRVs of 69 and 68, the two reflect almost the same amount of light.
At LRV 68 vs 6, Minor Blue is decisively the brighter choice.
Minor Blue reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.
Minor Blue reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 68 vs 52, Minor Blue is decisively the brighter choice.
Minor Blue reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
A 11-point LRV gap (68 vs 58) makes Minor Blue the marginally brighter of the two.
At LRV 68 vs 27, Minor Blue is decisively the brighter choice.
Minor Blue reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.
Minor Blue reflects far more light (LRV 68 vs 4), opening up a space where Naval encloses it.
At LRV 68 vs 55, Minor Blue is decisively the brighter choice.
At LRV 68 vs 13, Minor Blue is decisively the brighter choice.
At LRV 68 vs 44, Minor Blue is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 68), opening up a space where Minor Blue encloses it.
Minor Blue reflects far more light (LRV 68 vs 21), opening up a space where Artichoke encloses it.
Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.
A 6-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.
At LRV 83 vs 68, Snowbound is decisively the brighter choice.
At LRV 68 vs 12, Minor Blue is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.
Minor Blue reflects far more light (LRV 68 vs 41), opening up a space where Dix Blue encloses it.
With LRVs of 68 and 68, the two reflect almost the same amount of light.
Minor Blue reflects far more light (LRV 68 vs 25), opening up a space where Treron encloses it.
At LRV 68 vs 12, Minor Blue is decisively the brighter choice.
At LRV 68 vs 45, Minor Blue is decisively the brighter choice.
Minor Blue reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.
Minor Blue reflects far more light (LRV 68 vs 7), opening up a space where Pine Needle encloses it.
Minor Blue reflects far more light (LRV 68 vs 24), opening up a space where Cement grey encloses it.
Minor Blue reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.