Olde World Gold vs Pure White
Both from Sherwin-Williams's palette. Olde World Gold reads as beige, while Pure White reads as beige-greige — two distinct hue families, not close cousins. Pure White (LRV 84) reflects noticeably more light than Olde World Gold (LRV 17), a difference of 67 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 53.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Olde World Gold vs Pure White Simulated Comparison
5 simulated room previews — drag the slider on each to see Olde World Gold on one side and Pure White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Olde World Gold comparisons
See how Olde World Gold stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 17, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 17), opening up a space where Olde World Gold encloses it.
A 11-point LRV gap (17 vs 6) makes Olde World Gold the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 17), opening up a space where Olde World Gold encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 17), opening up a space where Olde World Gold encloses it.
At LRV 52 vs 17, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 17), opening up a space where Olde World Gold encloses it.
At LRV 58 vs 17, Accessible Beige is decisively the brighter choice.
A 10-point LRV gap (27 vs 17) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 17), opening up a space where Olde World Gold encloses it.
Olde World Gold reflects far more light (LRV 17 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 17, Tranquil Dawn is decisively the brighter choice.
A 4-point LRV gap (17 vs 13) makes Olde World Gold the marginally brighter of the two.
At LRV 44 vs 17, Hardwick White is decisively the brighter choice.
Artichoke reads slightly lighter (LRV 21 vs 17), a gap that shows most in low-lit rooms.
At LRV 66 vs 17, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 17, Shoji White is decisively the brighter choice.
At LRV 83 vs 17, Snowbound is decisively the brighter choice.
A 5-point LRV gap (17 vs 12) makes Olde World Gold the marginally brighter of the two.
At LRV 68 vs 17, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 17), opening up a space where Olde World Gold encloses it.
Calamine reflects far more light (LRV 68 vs 17), opening up a space where Olde World Gold encloses it.
Treron reads slightly lighter (LRV 25 vs 17), a gap that shows most in low-lit rooms.
A 5-point LRV gap (17 vs 12) makes Olde World Gold the marginally brighter of the two.
At LRV 45 vs 17, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 17), opening up a space where Olde World Gold encloses it.
Olde World Gold reads slightly lighter (LRV 17 vs 7), a gap that shows most in low-lit rooms.
Cement grey reads slightly lighter (LRV 24 vs 17), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 17), opening up a space where Olde World Gold encloses it.
Just Walnut reflects far more light (LRV 72 vs 17), opening up a space where Olde World Gold encloses it.