On The Rocks vs Valiant Violet
Both from Sherwin-Williams's palette. On The Rocks reads as grey, while Valiant Violet reads as blue-purple — two distinct hue families, not close cousins. On The Rocks (LRV 62) reflects noticeably more light than Valiant Violet (LRV 6), a difference of 55 points that becomes especially apparent in rooms with limited natural light. On The Rocks runs neutral while Valiant Violet is decidedly cool, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 62.0, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
On The Rocks vs Valiant Violet Simulated Comparison
5 simulated room previews — drag the slider on each to see On The Rocks on one side and Valiant Violet on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More On The Rocks comparisons
See how On The Rocks stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 62, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 62), a gap that shows most in low-lit rooms.
At LRV 62 vs 6, On The Rocks is decisively the brighter choice.
On The Rocks reads slightly lighter (LRV 62 vs 52), a gap that shows most in low-lit rooms.
On The Rocks reflects far more light (LRV 62 vs 30), opening up a space where Evergreen Fog encloses it.
A 10-point LRV gap (62 vs 52) makes On The Rocks the marginally brighter of the two.
With LRVs of 62 and 60, the two reflect almost the same amount of light.
A 4-point LRV gap (62 vs 58) makes On The Rocks the marginally brighter of the two.
At LRV 62 vs 27, On The Rocks is decisively the brighter choice.
On The Rocks reflects far more light (LRV 62 vs 43), opening up a space where French Gray encloses it.
On The Rocks reflects far more light (LRV 62 vs 4), opening up a space where Naval encloses it.
A 7-point LRV gap (62 vs 55) makes On The Rocks the marginally brighter of the two.
At LRV 62 vs 13, On The Rocks is decisively the brighter choice.
At LRV 62 vs 44, On The Rocks is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 62), opening up a space where On The Rocks encloses it.
On The Rocks reflects far more light (LRV 62 vs 21), opening up a space where Artichoke encloses it.
A 4-point LRV gap (66 vs 62) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 62, Shoji White is decisively the brighter choice.
At LRV 83 vs 62, Snowbound is decisively the brighter choice.
At LRV 62 vs 12, On The Rocks is decisively the brighter choice.
A 7-point LRV gap (68 vs 62) makes Skimming Stone the marginally brighter of the two.
On The Rocks reflects far more light (LRV 62 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 62), a gap that shows most in low-lit rooms.
On The Rocks reflects far more light (LRV 62 vs 25), opening up a space where Treron encloses it.
At LRV 62 vs 12, On The Rocks is decisively the brighter choice.
At LRV 62 vs 45, On The Rocks is decisively the brighter choice.
On The Rocks reflects far more light (LRV 62 vs 31), opening up a space where Pale Green encloses it.
On The Rocks reflects far more light (LRV 62 vs 7), opening up a space where Pine Needle encloses it.
On The Rocks reflects far more light (LRV 62 vs 24), opening up a space where Cement grey encloses it.
On The Rocks reads slightly lighter (LRV 62 vs 57), a gap that shows most in low-lit rooms.