Rachel Pink vs Toasted Beige
Rachel Pink is a Sherwin-Williams color while Toasted Beige comes from Valspar. Rachel Pink reads as pink-red, while Toasted Beige reads as beige-pink — two distinct hue families, not close cousins. At LRV 55 vs 48, Rachel Pink will read as the brighter of the two — a 7-point gap that matters most in north-facing or low-light rooms. At ΔE 5.4, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Rachel Pink vs Toasted Beige in Real Spaces
1 real room side by side. Rachel Pink and Toasted Beige are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The brightness difference is modest but present — Rachel Pink gives the walls a little more lift.
Color Details
Rachel Pink vs Toasted Beige Simulated Comparison
5 simulated room previews — drag the slider on each to see Rachel Pink on one side and Toasted Beige on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Rachel Pink comparisons
See how Rachel Pink stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 55), opening up a space where Rachel Pink encloses it.
At LRV 83 vs 55, White Dove is decisively the brighter choice.
At LRV 55 vs 6, Rachel Pink is decisively the brighter choice.
Rachel Pink reads slightly lighter (LRV 55 vs 52), a gap that shows most in low-lit rooms.
Rachel Pink reflects far more light (LRV 55 vs 30), opening up a space where Evergreen Fog encloses it.
A 3-point LRV gap (55 vs 52) makes Rachel Pink the marginally brighter of the two.
Agreeable Gray reads slightly lighter (LRV 60 vs 55), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 58 vs 55), so neither reads brighter in a room.
At LRV 55 vs 27, Rachel Pink is decisively the brighter choice.
Rachel Pink reads slightly lighter (LRV 55 vs 43), a gap that shows most in low-lit rooms.
Rachel Pink reflects far more light (LRV 55 vs 4), opening up a space where Naval encloses it.
Their light reflectance is nearly identical (LRV 55 vs 55), so neither reads brighter in a room.
At LRV 55 vs 13, Rachel Pink is decisively the brighter choice.
A 11-point LRV gap (55 vs 44) makes Rachel Pink the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 55), opening up a space where Rachel Pink encloses it.
Rachel Pink reflects far more light (LRV 55 vs 21), opening up a space where Artichoke encloses it.
A 11-point LRV gap (66 vs 55) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 55, Shoji White is decisively the brighter choice.
At LRV 83 vs 55, Snowbound is decisively the brighter choice.
Rachel Pink reads slightly lighter (LRV 55 vs 51), a gap that shows most in low-lit rooms.
At LRV 55 vs 12, Rachel Pink is decisively the brighter choice.
At LRV 55 vs 8, Rachel Pink is decisively the brighter choice.
At LRV 68 vs 55, Skimming Stone is decisively the brighter choice.
Rachel Pink reflects far more light (LRV 55 vs 41), opening up a space where Dix Blue encloses it.
At LRV 55 vs 12, Rachel Pink is decisively the brighter choice.
A 9-point LRV gap (55 vs 45) makes Rachel Pink the marginally brighter of the two.
Rachel Pink reflects far more light (LRV 55 vs 31), opening up a space where Pale Green encloses it.