Redend Point vs Tanbark
Both from Sherwin-Williams's palette. Redend Point reads as beige-greige, while Tanbark reads as beige-pink — two distinct hue families, not close cousins. Redend Point (LRV 30) reflects noticeably more light than Tanbark (LRV 15), a difference of 14 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 15.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Redend Point vs Tanbark Simulated Comparison
5 simulated room previews — drag the slider on each to see Redend Point on one side and Tanbark on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Redend Point comparisons
See how Redend Point stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 30, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 30), opening up a space where Redend Point encloses it.
Redend Point reflects far more light (LRV 30 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 30, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 30 vs 30), so neither reads brighter in a room.
Mizzle reflects far more light (LRV 52 vs 30), opening up a space where Redend Point encloses it.
At LRV 60 vs 30, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 30), opening up a space where Redend Point encloses it.
With LRVs of 30 and 27, the two reflect almost the same amount of light.
At LRV 43 vs 30, French Gray is decisively the brighter choice.
At LRV 30 vs 4, Redend Point is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 30), opening up a space where Redend Point encloses it.
Redend Point reflects far more light (LRV 30 vs 13), opening up a space where Bancha encloses it.
Hardwick White reflects far more light (LRV 44 vs 30), opening up a space where Redend Point encloses it.
At LRV 84 vs 30, Pure White is decisively the brighter choice.
A 8-point LRV gap (30 vs 21) makes Redend Point the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 30), opening up a space where Redend Point encloses it.
Shoji White reflects far more light (LRV 74 vs 30), opening up a space where Redend Point encloses it.
Snowbound reflects far more light (LRV 83 vs 30), opening up a space where Redend Point encloses it.
At LRV 51 vs 30, Pigeon is decisively the brighter choice.
Redend Point reflects far more light (LRV 30 vs 12), opening up a space where Pewter Green encloses it.
Redend Point reflects far more light (LRV 30 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 30), opening up a space where Redend Point encloses it.
A 11-point LRV gap (41 vs 30) makes Dix Blue the marginally brighter of the two.
Redend Point reflects far more light (LRV 30 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 30), opening up a space where Redend Point encloses it.
Their light reflectance is nearly identical (LRV 31 vs 30), so neither reads brighter in a room.