Rembrandt Ruby vs Rojo Dust
Rembrandt Ruby and Rojo Dust come from the same Sherwin-Williams collection. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. The 11-point LRV gap — 23 for Rojo Dust vs 13 for Rembrandt Ruby — means Rojo Dust will open up a space more effectively. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 14.3 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Rembrandt Ruby vs Rojo Dust in Real Spaces
3 real rooms side by side. Seeing Rembrandt Ruby and Rojo Dust in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Rojo Dust reflects noticeably more light off the walls, making the space read more open than Rembrandt Ruby.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Rojo Dust returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Front Door
On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. Rojo Dust reflects noticeably more light off the walls, making the space read more open than Rembrandt Ruby.
Color Details
Rembrandt Ruby vs Rojo Dust Simulated Comparison
5 simulated room previews — drag the slider on each to see Rembrandt Ruby on one side and Rojo Dust on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Rembrandt Ruby comparisons
See how Rembrandt Ruby stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 13, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 13), opening up a space where Rembrandt Ruby encloses it.
A 7-point LRV gap (13 vs 6) makes Rembrandt Ruby the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 13), opening up a space where Rembrandt Ruby encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 13), opening up a space where Rembrandt Ruby encloses it.
At LRV 52 vs 13, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 13), opening up a space where Rembrandt Ruby encloses it.
At LRV 58 vs 13, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 13, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 13), opening up a space where Rembrandt Ruby encloses it.
Rembrandt Ruby reads slightly lighter (LRV 13 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 13, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 13 vs 13), so neither reads brighter in a room.
At LRV 44 vs 13, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 13), opening up a space where Rembrandt Ruby encloses it.
Artichoke reads slightly lighter (LRV 21 vs 13), a gap that shows most in low-lit rooms.
At LRV 66 vs 13, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 13, Shoji White is decisively the brighter choice.
At LRV 83 vs 13, Snowbound is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 13 vs 12), so neither reads brighter in a room.
At LRV 68 vs 13, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 13), opening up a space where Rembrandt Ruby encloses it.
Calamine reflects far more light (LRV 68 vs 13), opening up a space where Rembrandt Ruby encloses it.
Treron reflects far more light (LRV 25 vs 13), opening up a space where Rembrandt Ruby encloses it.
Their light reflectance is nearly identical (LRV 13 vs 12), so neither reads brighter in a room.
At LRV 45 vs 13, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 13), opening up a space where Rembrandt Ruby encloses it.
Rembrandt Ruby reads slightly lighter (LRV 13 vs 7), a gap that shows most in low-lit rooms.
Cement grey reads slightly lighter (LRV 24 vs 13), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 13), opening up a space where Rembrandt Ruby encloses it.