Roycroft Adobe vs Thames Fog
Where Roycroft Adobe belongs to Sherwin-Williams's range, Thames Fog is a Valspar color. Roycroft Adobe reads as pink-red, while Thames Fog reads as grey — two distinct hue families, not close cousins. Thames Fog (LRV 27) reflects noticeably more light than Roycroft Adobe (LRV 18), a difference of 10 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 34.1, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Roycroft Adobe vs Thames Fog in Real Spaces
1 real room side by side. Seeing Roycroft Adobe and Thames Fog in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Thames Fog reflects noticeably more light off the walls, making the space read more open than Roycroft Adobe.
Color Details
Roycroft Adobe vs Thames Fog Simulated Comparison
5 simulated room previews — drag the slider on each to see Roycroft Adobe on one side and Thames Fog on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Roycroft Adobe comparisons
See how Roycroft Adobe stacks up against other well-photographed colors across different brands and tones.
