Roycroft Rose vs Cinnamon Scone
Roycroft Rose (Sherwin-Williams) and Cinnamon Scone (Valspar) come from different manufacturers. Roycroft Rose reads as pink-red, while Cinnamon Scone reads as beige — two distinct hue families, not close cousins. The 3-point LRV gap — 32 for Roycroft Rose vs 29 for Cinnamon Scone — means Roycroft Rose will open up a space more effectively. ΔE 9.2 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Roycroft Rose vs Cinnamon Scone in Real Spaces
1 real room side by side. Roycroft Rose and Cinnamon Scone are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The brightness difference is modest but present — Roycroft Rose gives the walls a little more lift.
Color Details
Roycroft Rose vs Cinnamon Scone Simulated Comparison
5 simulated room previews — drag the slider on each to see Roycroft Rose on one side and Cinnamon Scone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Roycroft Rose comparisons
See how Roycroft Rose stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 32), opening up a space where Roycroft Rose encloses it.
At LRV 83 vs 32, White Dove is decisively the brighter choice.
At LRV 32 vs 6, Roycroft Rose is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 32), opening up a space where Roycroft Rose encloses it.
With LRVs of 32 and 30, the two reflect almost the same amount of light.
At LRV 52 vs 32, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 32), opening up a space where Roycroft Rose encloses it.
At LRV 58 vs 32, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (32 vs 27) makes Roycroft Rose the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 32), a gap that shows most in low-lit rooms.
Roycroft Rose reflects far more light (LRV 32 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 32, Tranquil Dawn is decisively the brighter choice.
At LRV 32 vs 13, Roycroft Rose is decisively the brighter choice.
A 11-point LRV gap (44 vs 32) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 32), opening up a space where Roycroft Rose encloses it.
Roycroft Rose reads slightly lighter (LRV 32 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 32, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 32, Shoji White is decisively the brighter choice.
At LRV 83 vs 32, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 32), opening up a space where Roycroft Rose encloses it.
At LRV 32 vs 12, Roycroft Rose is decisively the brighter choice.
At LRV 32 vs 8, Roycroft Rose is decisively the brighter choice.
At LRV 68 vs 32, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 32), a gap that shows most in low-lit rooms.
At LRV 32 vs 12, Roycroft Rose is decisively the brighter choice.
At LRV 45 vs 32, Saybrook Sage is decisively the brighter choice.
With LRVs of 32 and 31, the two reflect almost the same amount of light.