Stop vs Urban Jungle paint color comparison

Stop vs Urban Jungle

StopSherwin-WilliamsvsUrban JungleSherwin-WilliamsΔE 57.9Very different colors

Stop and Urban Jungle come from the same Sherwin-Williams collection. Hue-wise, Stop belongs to the pink-red family and Urban Jungle to the beige-greige family. The 16-point LRV gap — 31 for Urban Jungle vs 15 for Stop — means Urban Jungle will open up a space more effectively. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 57.9 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Stop
Sherwin-Williams · 6869
LRV15.0
BrandSherwin-Williams
Number6869
Undertone
TemperatureWarm
BrightnessDark
Urban Jungle
Sherwin-Williams · 9117
LRV30.7
BrandSherwin-Williams
Number9117
Undertone
TemperatureWarm
BrightnessMedium

Stop vs Urban Jungle Simulated Comparison

5 simulated room previews — drag the slider on each to see Stop on one side and Urban Jungle on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Stop comparisons

See how Stop stacks up against other well-photographed colors across different brands and tones.

Ammonite
Ammonite
Stop
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
Stop
6869 · LRV 15

Ammonite reflects far more light (LRV 69 vs 15), opening up a space where Stop encloses it.

White Dove
White Dove
Stop
Sherwin-Williams
Stop
6869 · LRV 15

At LRV 83 vs 15, White Dove is decisively the brighter choice.

Iron Ore
Iron Ore
Stop
Sherwin-Williams
Stop
6869 · LRV 15

A 9-point LRV gap (15 vs 6) makes Stop the marginally brighter of the two.

Purbeck Stone
Purbeck Stone
Stop
Sherwin-Williams
Stop
6869 · LRV 15

Purbeck Stone reflects far more light (LRV 52 vs 15), opening up a space where Stop encloses it.

Evergreen Fog
Evergreen Fog
Stop
Sherwin-Williams
Stop
6869 · LRV 15

Evergreen Fog reflects far more light (LRV 30 vs 15), opening up a space where Stop encloses it.

Mizzle
Mizzle
Stop
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
Stop
6869 · LRV 15

At LRV 52 vs 15, Mizzle is decisively the brighter choice.

Agreeable Gray
Agreeable Gray
Stop
Sherwin-Williams
Stop
6869 · LRV 15

Agreeable Gray reflects far more light (LRV 60 vs 15), opening up a space where Stop encloses it.

Accessible Beige
Accessible Beige
Stop
Sherwin-Williams
Stop
6869 · LRV 15

At LRV 58 vs 15, Accessible Beige is decisively the brighter choice.

Denim Drift
Denim Drift
Stop
Sherwin-Williams
Stop
6869 · LRV 15

At LRV 27 vs 15, Denim Drift is decisively the brighter choice.

French Gray
French Gray
Stop
Sherwin-Williams
Stop
6869 · LRV 15

French Gray reflects far more light (LRV 43 vs 15), opening up a space where Stop encloses it.

Naval
Naval
Stop
Sherwin-Williams
Naval
LRV 4
Sherwin-Williams
Stop
6869 · LRV 15

Stop reads slightly lighter (LRV 15 vs 4), a gap that shows most in low-lit rooms.

Tranquil Dawn
Tranquil Dawn
Stop
Sherwin-Williams
Stop
6869 · LRV 15

At LRV 55 vs 15, Tranquil Dawn is decisively the brighter choice.

Bancha
Bancha
Stop
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
Stop
6869 · LRV 15

Their light reflectance is nearly identical (LRV 15 vs 13), so neither reads brighter in a room.

Hardwick White
Hardwick White
Stop
Sherwin-Williams
Stop
6869 · LRV 15

At LRV 44 vs 15, Hardwick White is decisively the brighter choice.

Pure White
Pure White
Stop
Sherwin-Williams
Stop
6869 · LRV 15

Pure White reflects far more light (LRV 84 vs 15), opening up a space where Stop encloses it.

Artichoke
Artichoke
Stop
Sherwin-Williams
Artichoke
LRV 21
Sherwin-Williams
Stop
6869 · LRV 15

Artichoke reads slightly lighter (LRV 21 vs 15), a gap that shows most in low-lit rooms.

Balboa Mist
Balboa Mist
Stop
Sherwin-Williams
Stop
6869 · LRV 15

At LRV 66 vs 15, Balboa Mist is decisively the brighter choice.

Shoji White
Shoji White
Stop
Sherwin-Williams
Stop
6869 · LRV 15

At LRV 74 vs 15, Shoji White is decisively the brighter choice.

Snowbound
Snowbound
Stop
Sherwin-Williams
Snowbound
LRV 83
Sherwin-Williams
Stop
6869 · LRV 15

At LRV 83 vs 15, Snowbound is decisively the brighter choice.

Pigeon
Pigeon
Stop
Farrow & Ball
Pigeon
LRV 51
Sherwin-Williams
Stop
6869 · LRV 15

Pigeon reflects far more light (LRV 51 vs 15), opening up a space where Stop encloses it.

Pewter Green
Pewter Green
Stop
Sherwin-Williams
Stop
6869 · LRV 15

A 3-point LRV gap (15 vs 12) makes Stop the marginally brighter of the two.

Duck Green
Duck Green
Stop
Sherwin-Williams
Stop
6869 · LRV 15

A 7-point LRV gap (15 vs 8) makes Stop the marginally brighter of the two.

Skimming Stone
Skimming Stone
Stop
Sherwin-Williams
Stop
6869 · LRV 15

At LRV 68 vs 15, Skimming Stone is decisively the brighter choice.

Dix Blue
Dix Blue
Stop
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
Stop
6869 · LRV 15

Dix Blue reflects far more light (LRV 41 vs 15), opening up a space where Stop encloses it.

Hicks' Blue
Hicks' Blue
Stop
Sherwin-Williams
Stop
6869 · LRV 15

Hicks' Blue vs Stop

Slaked Lime Deep
Slaked Lime Deep
Stop
Sherwin-Williams
Stop
6869 · LRV 15

Slaked Lime Deep vs Stop

Vintage Vogue
Vintage Vogue
Stop
Sherwin-Williams
Stop
6869 · LRV 15

A 3-point LRV gap (15 vs 12) makes Stop the marginally brighter of the two.

Livid
Livid
Stop
Sherwin-Williams
Stop
6869 · LRV 15

Livid vs Stop

Saybrook Sage
Saybrook Sage
Stop
Sherwin-Williams
Stop
6869 · LRV 15

At LRV 45 vs 15, Saybrook Sage is decisively the brighter choice.

Pale Green
Pale Green
Stop
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
Stop
6869 · LRV 15

Pale Green reflects far more light (LRV 31 vs 15), opening up a space where Stop encloses it.