Sunny Side Up vs They call it Mellow
Both are Sherwin-Williams colors. Both sit in the beige family, which is useful context if you're narrowing within a single hue direction. At LRV 79 vs 65, They call it Mellow will read as the brighter of the two — a 14-point gap that matters most in north-facing or low-light rooms. They share a warm quality — useful to know if you're layering them in the same space. At ΔE 30.7, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Sunny Side Up vs They call it Mellow Simulated Comparison
5 simulated room previews — drag the slider on each to see Sunny Side Up on one side and They call it Mellow on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sunny Side Up comparisons
See how Sunny Side Up stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 65), opening up a space where Sunny Side Up encloses it.
A 4-point LRV gap (69 vs 65) makes Ammonite the marginally brighter of the two.
Sunny Side Up reflects far more light (LRV 65 vs 6), opening up a space where Iron Ore encloses it.
At LRV 65 vs 52, Sunny Side Up is decisively the brighter choice.
At LRV 65 vs 30, Sunny Side Up is decisively the brighter choice.
Sunny Side Up reflects far more light (LRV 65 vs 52), opening up a space where Mizzle encloses it.
A 4-point LRV gap (65 vs 60) makes Sunny Side Up the marginally brighter of the two.
Sunny Side Up reads slightly lighter (LRV 65 vs 58), a gap that shows most in low-lit rooms.
Sunny Side Up reflects far more light (LRV 65 vs 27), opening up a space where Denim Drift encloses it.
At LRV 65 vs 43, Sunny Side Up is decisively the brighter choice.
At LRV 65 vs 4, Sunny Side Up is decisively the brighter choice.
Sunny Side Up reads slightly lighter (LRV 65 vs 55), a gap that shows most in low-lit rooms.
Sunny Side Up reflects far more light (LRV 65 vs 13), opening up a space where Bancha encloses it.
Sunny Side Up reflects far more light (LRV 65 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 65, Pure White is decisively the brighter choice.
At LRV 65 vs 21, Sunny Side Up is decisively the brighter choice.
With LRVs of 66 and 65, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 65), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 65), opening up a space where Sunny Side Up encloses it.
Sunny Side Up reflects far more light (LRV 65 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 65), a gap that shows most in low-lit rooms.
At LRV 65 vs 41, Sunny Side Up is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 65), so neither reads brighter in a room.
At LRV 65 vs 25, Sunny Side Up is decisively the brighter choice.
Sunny Side Up reflects far more light (LRV 65 vs 12), opening up a space where Vintage Vogue encloses it.
Sunny Side Up reflects far more light (LRV 65 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 65 vs 31, Sunny Side Up is decisively the brighter choice.
At LRV 65 vs 7, Sunny Side Up is decisively the brighter choice.
At LRV 65 vs 24, Sunny Side Up is decisively the brighter choice.
A 8-point LRV gap (65 vs 57) makes Sunny Side Up the marginally brighter of the two.