Tinsmith vs Zircon
Both from Sherwin-Williams's palette. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (57 vs 59), so they'll read as similarly Light in most lighting conditions. Both lean neutral, so they'll behave similarly in mixed or changing light conditions. At ΔE 1.7, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Tinsmith vs Zircon Simulated Comparison
5 simulated room previews — drag the slider on each to see Tinsmith on one side and Zircon on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Tinsmith comparisons
See how Tinsmith stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 57, White Dove is decisively the brighter choice.
Tinsmith reads slightly lighter (LRV 57 vs 52), a gap that shows most in low-lit rooms.
Tinsmith reflects far more light (LRV 57 vs 30), opening up a space where Evergreen Fog encloses it.
Agreeable Gray reads slightly lighter (LRV 60 vs 57), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 58 vs 57), so neither reads brighter in a room.
At LRV 57 vs 27, Tinsmith is decisively the brighter choice.
Tinsmith reflects far more light (LRV 57 vs 43), opening up a space where French Gray encloses it.
Their light reflectance is nearly identical (LRV 57 vs 55), so neither reads brighter in a room.
At LRV 57 vs 44, Tinsmith is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 57), opening up a space where Tinsmith encloses it.
A 8-point LRV gap (66 vs 57) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 57, Shoji White is decisively the brighter choice.
At LRV 57 vs 12, Tinsmith is decisively the brighter choice.
A 11-point LRV gap (68 vs 57) makes Skimming Stone the marginally brighter of the two.
At LRV 57 vs 12, Tinsmith is decisively the brighter choice.
A 12-point LRV gap (57 vs 45) makes Tinsmith the marginally brighter of the two.
Tinsmith reflects far more light (LRV 57 vs 31), opening up a space where Pale Green encloses it.
Tinsmith reflects far more light (LRV 57 vs 7), opening up a space where Pine Needle encloses it.
Tinsmith reflects far more light (LRV 57 vs 24), opening up a space where Cement grey encloses it.
With LRVs of 57 and 57, the two reflect almost the same amount of light.