Tinsmith vs Zircon
Both from Sherwin-Williams's palette. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (57 vs 59), so they'll read as similarly Light in most lighting conditions. Both lean neutral, so they'll behave similarly in mixed or changing light conditions. At ΔE 1.7, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Tinsmith vs Zircon Simulated Comparison
5 simulated room previews — drag the slider on each to see Tinsmith on one side and Zircon on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Tinsmith comparisons
See how Tinsmith stacks up against other well-photographed colors across different brands and tones.
