Armadillo vs Purbeck Stone
Where Armadillo belongs to Behr's range, Purbeck Stone is a Farrow & Ball color. Hue-wise, Armadillo belongs to the beige-greige family and Purbeck Stone to the greige-grey family. They have nearly identical light reflectance values (50 vs 52), so they'll read as similarly Medium in most lighting conditions. Armadillo runs red while Purbeck Stone is decidedly warm, which means they'll respond very differently to warm vs cool light sources. The ΔE 4.3 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Armadillo vs Purbeck Stone in Real Spaces
1 real room side by side. Armadillo and Purbeck Stone are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. The distinction reads clearly at room scale, making the choice between them concrete.
Color Details
Armadillo vs Purbeck Stone Simulated Comparison
5 simulated room previews — drag the slider on each to see Armadillo on one side and Purbeck Stone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Armadillo comparisons
See how Armadillo stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 50, White Dove is decisively the brighter choice.
Armadillo reflects far more light (LRV 50 vs 30), opening up a space where Evergreen Fog encloses it.
Agreeable Gray reads slightly lighter (LRV 60 vs 50), a gap that shows most in low-lit rooms.
A 7-point LRV gap (58 vs 50) makes Accessible Beige the marginally brighter of the two.
At LRV 50 vs 27, Armadillo is decisively the brighter choice.
Armadillo reads slightly lighter (LRV 50 vs 43), a gap that shows most in low-lit rooms.
A 5-point LRV gap (55 vs 50) makes Tranquil Dawn the marginally brighter of the two.
A 7-point LRV gap (50 vs 44) makes Armadillo the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 50), opening up a space where Armadillo encloses it.
At LRV 66 vs 50, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 50, Shoji White is decisively the brighter choice.
At LRV 50 vs 12, Armadillo is decisively the brighter choice.
At LRV 68 vs 50, Skimming Stone is decisively the brighter choice.
At LRV 50 vs 12, Armadillo is decisively the brighter choice.
A 5-point LRV gap (50 vs 45) makes Armadillo the marginally brighter of the two.
Armadillo reflects far more light (LRV 50 vs 31), opening up a space where Pale Green encloses it.
Armadillo reflects far more light (LRV 50 vs 7), opening up a space where Pine Needle encloses it.
Armadillo reflects far more light (LRV 50 vs 24), opening up a space where Cement grey encloses it.
Guilford Green reads slightly lighter (LRV 57 vs 50), a gap that shows most in low-lit rooms.
Just Walnut reflects far more light (LRV 72 vs 50), opening up a space where Armadillo encloses it.