Armadillo vs Agreeable Gray

ArmadilloBehrvsAgreeable GraySherwin-WilliamsΔE 7.2Noticeable difference

Armadillo (Behr) and Agreeable Gray (Sherwin-Williams) come from different manufacturers. Armadillo reads as beige-greige, while Agreeable Gray reads as greige-grey — two distinct hue families, not close cousins. The 10-point LRV gap — 60 for Agreeable Gray vs 50 for Armadillo — means Agreeable Gray will open up a space more effectively. Where Armadillo leans red, Agreeable Gray reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 7.2 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

Armadillo vs Agreeable Gray in Real Spaces

1 real room side by side. Armadillo and Agreeable Gray are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.

Bathroom

Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Agreeable Gray returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

ArmadilloBehr Armadillo bathroom interior

@jaime_henry_and_stanley

Agreeable GrayModern Agreeable Gray bathroom

@homeimprovementdude

Color Details

Armadillo
Behr · N230-3
Hex#c8b9ab
LRV50.2
BrandBehr
NumberN230-3
UndertoneRed
TemperatureWarm
BrightnessMedium
Agreeable Gray
Sherwin-Williams · 7029
Hex#D1CBC1
LRV60.4
BrandSherwin-Williams
Number7029
Undertone
TemperatureWarm
BrightnessLight

Armadillo vs Agreeable Gray Simulated Comparison

5 simulated room previews — drag the slider on each to see Armadillo on one side and Agreeable Gray on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Armadillo comparisons

See how Armadillo stacks up against other well-photographed colors across different brands and tones.

Armadillo
White Dove
Armadillo
White Dove
Behr
Armadillo
N230-3 · LRV 50

At LRV 83 vs 50, White Dove is decisively the brighter choice.

Armadillo
Ammonite
Armadillo
Ammonite
Behr
Armadillo
N230-3 · LRV 50
Farrow & Ball
Ammonite
LRV 69

Ammonite reflects far more light (LRV 69 vs 50), opening up a space where Armadillo encloses it.

Armadillo
Iron Ore
Armadillo
Iron Ore
Behr
Armadillo
N230-3 · LRV 50

At LRV 50 vs 6, Armadillo is decisively the brighter choice.

Armadillo
Purbeck Stone
Armadillo
Purbeck Stone
Behr
Armadillo
N230-3 · LRV 50

With LRVs of 52 and 50, the two reflect almost the same amount of light.

Armadillo
Evergreen Fog
Armadillo
Evergreen Fog
Behr
Armadillo
N230-3 · LRV 50

Armadillo reflects far more light (LRV 50 vs 30), opening up a space where Evergreen Fog encloses it.

Armadillo
Mizzle
Armadillo
Mizzle
Behr
Armadillo
N230-3 · LRV 50
Farrow & Ball
Mizzle
LRV 52

Their light reflectance is nearly identical (LRV 52 vs 50), so neither reads brighter in a room.

Armadillo
Accessible Beige
Armadillo
Accessible Beige
Behr
Armadillo
N230-3 · LRV 50

A 7-point LRV gap (58 vs 50) makes Accessible Beige the marginally brighter of the two.

Armadillo
Denim Drift
Armadillo
Denim Drift
Behr
Armadillo
N230-3 · LRV 50

At LRV 50 vs 27, Armadillo is decisively the brighter choice.

Armadillo
French Gray
Armadillo
French Gray
Behr
Armadillo
N230-3 · LRV 50

Armadillo reads slightly lighter (LRV 50 vs 43), a gap that shows most in low-lit rooms.

Armadillo
Naval
Armadillo
Naval
Behr
Armadillo
N230-3 · LRV 50
Sherwin-Williams
Naval
LRV 4

Armadillo reflects far more light (LRV 50 vs 4), opening up a space where Naval encloses it.

Armadillo
Tranquil Dawn
Armadillo
Tranquil Dawn
Behr
Armadillo
N230-3 · LRV 50

A 5-point LRV gap (55 vs 50) makes Tranquil Dawn the marginally brighter of the two.

Armadillo
Bancha
Armadillo
Bancha
Behr
Armadillo
N230-3 · LRV 50
Farrow & Ball
Bancha
LRV 13

At LRV 50 vs 13, Armadillo is decisively the brighter choice.

Armadillo
Hardwick White
Armadillo
Hardwick White
Behr
Armadillo
N230-3 · LRV 50

A 7-point LRV gap (50 vs 44) makes Armadillo the marginally brighter of the two.

Armadillo
Pure White
Armadillo
Pure White
Behr
Armadillo
N230-3 · LRV 50

Pure White reflects far more light (LRV 84 vs 50), opening up a space where Armadillo encloses it.

Armadillo
Artichoke
Armadillo
Artichoke
Behr
Armadillo
N230-3 · LRV 50
Sherwin-Williams
Artichoke
LRV 21

Armadillo reflects far more light (LRV 50 vs 21), opening up a space where Artichoke encloses it.

Armadillo
Balboa Mist
Armadillo
Balboa Mist
Behr
Armadillo
N230-3 · LRV 50

At LRV 66 vs 50, Balboa Mist is decisively the brighter choice.

Armadillo
Shoji White
Armadillo
Shoji White
Behr
Armadillo
N230-3 · LRV 50

At LRV 74 vs 50, Shoji White is decisively the brighter choice.

Armadillo
Snowbound
Armadillo
Snowbound
Behr
Armadillo
N230-3 · LRV 50
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 50, Snowbound is decisively the brighter choice.

Armadillo
Pewter Green
Armadillo
Pewter Green
Behr
Armadillo
N230-3 · LRV 50

At LRV 50 vs 12, Armadillo is decisively the brighter choice.

Armadillo
Skimming Stone
Armadillo
Skimming Stone
Behr
Armadillo
N230-3 · LRV 50

At LRV 68 vs 50, Skimming Stone is decisively the brighter choice.

Armadillo
Dix Blue
Armadillo
Dix Blue
Behr
Armadillo
N230-3 · LRV 50
Farrow & Ball
Dix Blue
LRV 41

Armadillo reads slightly lighter (LRV 50 vs 41), a gap that shows most in low-lit rooms.

Armadillo
Calamine
Armadillo
Calamine
Behr
Armadillo
N230-3 · LRV 50
Farrow & Ball
Calamine
LRV 68

Calamine reflects far more light (LRV 68 vs 50), opening up a space where Armadillo encloses it.

Armadillo
Treron
Armadillo
Treron
Behr
Armadillo
N230-3 · LRV 50
Farrow & Ball
Treron
LRV 25

Armadillo reflects far more light (LRV 50 vs 25), opening up a space where Treron encloses it.

Armadillo
Vintage Vogue
Armadillo
Vintage Vogue
Behr
Armadillo
N230-3 · LRV 50

At LRV 50 vs 12, Armadillo is decisively the brighter choice.

Armadillo
Saybrook Sage
Armadillo
Saybrook Sage
Behr
Armadillo
N230-3 · LRV 50

A 5-point LRV gap (50 vs 45) makes Armadillo the marginally brighter of the two.

Armadillo
Pale Green
Armadillo
Pale Green
Behr
Armadillo
N230-3 · LRV 50
RAL ClassicClassic
Pale Green
LRV 31

Armadillo reflects far more light (LRV 50 vs 31), opening up a space where Pale Green encloses it.

Armadillo
Pine Needle
Armadillo
Pine Needle
Behr
Armadillo
N230-3 · LRV 50

Armadillo reflects far more light (LRV 50 vs 7), opening up a space where Pine Needle encloses it.

Armadillo
Cement grey
Armadillo
Cement grey
Behr
Armadillo
N230-3 · LRV 50
RAL ClassicClassic
Cement grey
LRV 24

Armadillo reflects far more light (LRV 50 vs 24), opening up a space where Cement grey encloses it.

Armadillo
Guilford Green
Armadillo
Guilford Green
Behr
Armadillo
N230-3 · LRV 50

Guilford Green reads slightly lighter (LRV 57 vs 50), a gap that shows most in low-lit rooms.

Armadillo
Just Walnut
Armadillo
Just Walnut
Behr
Armadillo
N230-3 · LRV 50

Just Walnut reflects far more light (LRV 72 vs 50), opening up a space where Armadillo encloses it.