Journey's End vs RAL 180-2
Where Journey's End belongs to Behr's range, RAL 180-2 is a RAL Effect color. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (56 vs 58), so they'll read as similarly Light in most lighting conditions. The ΔE 3.3 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Journey's End vs RAL 180-2 in Real Spaces
5 real rooms side by side. Journey's End and RAL 180-2 are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. The distinction reads clearly at room scale, making the choice between them concrete.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. The distinction reads clearly at room scale, making the choice between them concrete.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. The distinction reads clearly at room scale, making the choice between them concrete.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. The distinction reads clearly at room scale, making the choice between them concrete.
Color Details
Journey's End vs RAL 180-2 Simulated Comparison
5 simulated room previews — drag the slider on each to see Journey's End on one side and RAL 180-2 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Journey's End comparisons
See how Journey's End stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 56, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 56), opening up a space where Journey's End encloses it.
Journey's End reflects far more light (LRV 56 vs 6), opening up a space where Iron Ore encloses it.
A 4-point LRV gap (56 vs 52) makes Journey's End the marginally brighter of the two.
At LRV 56 vs 30, Journey's End is decisively the brighter choice.
Journey's End reads slightly lighter (LRV 56 vs 52), a gap that shows most in low-lit rooms.
A 4-point LRV gap (60 vs 56) makes Agreeable Gray the marginally brighter of the two.
With LRVs of 58 and 56, the two reflect almost the same amount of light.
Journey's End reflects far more light (LRV 56 vs 27), opening up a space where Denim Drift encloses it.
At LRV 56 vs 43, Journey's End is decisively the brighter choice.
At LRV 56 vs 4, Journey's End is decisively the brighter choice.
With LRVs of 56 and 55, the two reflect almost the same amount of light.
Journey's End reflects far more light (LRV 56 vs 13), opening up a space where Bancha encloses it.
Journey's End reflects far more light (LRV 56 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 56, Pure White is decisively the brighter choice.
At LRV 56 vs 21, Journey's End is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 56), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 56), opening up a space where Journey's End encloses it.
Snowbound reflects far more light (LRV 83 vs 56), opening up a space where Journey's End encloses it.
A 6-point LRV gap (56 vs 51) makes Journey's End the marginally brighter of the two.
Journey's End reflects far more light (LRV 56 vs 12), opening up a space where Pewter Green encloses it.
Journey's End reflects far more light (LRV 56 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 56), a gap that shows most in low-lit rooms.
At LRV 56 vs 41, Journey's End is decisively the brighter choice.
Journey's End reflects far more light (LRV 56 vs 12), opening up a space where Vintage Vogue encloses it.
Journey's End reads slightly lighter (LRV 56 vs 45), a gap that shows most in low-lit rooms.
At LRV 56 vs 31, Journey's End is decisively the brighter choice.