Alabaster vs Wimborne White
Alabaster (Benjamin Moore) and Wimborne White (Farrow & Ball) come from different manufacturers. Hue-wise, Alabaster belongs to the beige-greige family and Wimborne White to the beige-white family. The 5-point LRV gap — 90 for Wimborne White vs 85 for Alabaster — means Wimborne White will open up a space more effectively. Where Alabaster leans yellow, Wimborne White reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 2.5 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Alabaster vs Wimborne White in Real Spaces
3 real rooms side by side. Alabaster and Wimborne White are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Wimborne White reads slightly lighter here — a subtle but real difference in how open the space feels.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Wimborne White has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. Wimborne White has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Alabaster vs Wimborne White Simulated Comparison
5 simulated room previews — drag the slider on each to see Alabaster on one side and Wimborne White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Alabaster comparisons
See how Alabaster stacks up against other well-photographed colors across different brands and tones.
Their light reflectance is nearly identical (LRV 85 vs 83), so neither reads brighter in a room.
Alabaster reflects far more light (LRV 85 vs 52), opening up a space where Purbeck Stone encloses it.
Alabaster reflects far more light (LRV 85 vs 30), opening up a space where Evergreen Fog encloses it.
Alabaster reflects far more light (LRV 85 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 85 vs 58, Alabaster is decisively the brighter choice.
At LRV 85 vs 27, Alabaster is decisively the brighter choice.
Alabaster reflects far more light (LRV 85 vs 43), opening up a space where French Gray encloses it.
At LRV 85 vs 55, Alabaster is decisively the brighter choice.
At LRV 85 vs 44, Alabaster is decisively the brighter choice.
With LRVs of 85 and 84, the two reflect almost the same amount of light.
At LRV 85 vs 66, Alabaster is decisively the brighter choice.
A 11-point LRV gap (85 vs 74) makes Alabaster the marginally brighter of the two.
At LRV 85 vs 12, Alabaster is decisively the brighter choice.
At LRV 85 vs 68, Alabaster is decisively the brighter choice.
At LRV 85 vs 12, Alabaster is decisively the brighter choice.
At LRV 85 vs 45, Alabaster is decisively the brighter choice.
Alabaster reflects far more light (LRV 85 vs 31), opening up a space where Pale Green encloses it.
Alabaster reflects far more light (LRV 85 vs 7), opening up a space where Pine Needle encloses it.
Alabaster reflects far more light (LRV 85 vs 24), opening up a space where Cement grey encloses it.
Alabaster reflects far more light (LRV 85 vs 57), opening up a space where Guilford Green encloses it.