Antique Glass vs Mint Macaroon paint color comparison

Antique Glass vs Mint Macaroon

Antique GlassBenjamin MoorevsMint MacaroonDuluxΔE 7.4Noticeable difference

Antique Glass is a Benjamin Moore color while Mint Macaroon comes from Dulux. Hue-wise, Antique Glass belongs to the green family and Mint Macaroon to the blue family. At LRV 64 vs 52, Mint Macaroon will read as the brighter of the two — a 12-point gap that matters most in north-facing or low-light rooms. The tonal difference — Antique Glass's green character against Mint Macaroon's cool — becomes most visible against white trim or in morning light. At ΔE 7.4, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Antique Glass
Benjamin Moore · CSP-695
LRV52.0
BrandBenjamin Moore
NumberCSP-695
UndertoneGreen
TemperatureCool
BrightnessMedium
Mint Macaroon
Dulux · 90GG 64/088
LRV64.0
BrandDulux
Number90GG 64/088
Undertone
TemperatureCool
BrightnessLight

Antique Glass vs Mint Macaroon Simulated Comparison

5 simulated room previews — drag the slider on each to see Antique Glass on one side and Mint Macaroon on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Antique Glass comparisons

See how Antique Glass stacks up against other well-photographed colors across different brands and tones.

Ammonite
Antique Glass
Ammonite
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 52, Ammonite is decisively the brighter choice.

White Dove
Antique Glass
White Dove
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

White Dove reflects far more light (LRV 83 vs 52), opening up a space where Antique Glass encloses it.

Iron Ore
Antique Glass
Iron Ore
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Antique Glass reflects far more light (LRV 52 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
Antique Glass
Purbeck Stone
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Their light reflectance is nearly identical (LRV 52 vs 52), so neither reads brighter in a room.

Evergreen Fog
Antique Glass
Evergreen Fog
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

At LRV 52 vs 30, Antique Glass is decisively the brighter choice.

Mizzle
Antique Glass
Mizzle
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Farrow & Ball
Mizzle
LRV 52

With LRVs of 52 and 52, the two reflect almost the same amount of light.

Agreeable Gray
Antique Glass
Agreeable Gray
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

A 8-point LRV gap (60 vs 52) makes Agreeable Gray the marginally brighter of the two.

Accessible Beige
Antique Glass
Accessible Beige
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Accessible Beige reads slightly lighter (LRV 58 vs 52), a gap that shows most in low-lit rooms.

Denim Drift
Antique Glass
Denim Drift
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Antique Glass reflects far more light (LRV 52 vs 27), opening up a space where Denim Drift encloses it.

French Gray
Antique Glass
French Gray
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

A 9-point LRV gap (52 vs 43) makes Antique Glass the marginally brighter of the two.

Naval
Antique Glass
Naval
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Sherwin-Williams
Naval
LRV 4

At LRV 52 vs 4, Antique Glass is decisively the brighter choice.

Tranquil Dawn
Antique Glass
Tranquil Dawn
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Tranquil Dawn reads slightly lighter (LRV 55 vs 52), a gap that shows most in low-lit rooms.

Bancha
Antique Glass
Bancha
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Farrow & Ball
Bancha
LRV 13

Antique Glass reflects far more light (LRV 52 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Antique Glass
Hardwick White
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Antique Glass reads slightly lighter (LRV 52 vs 44), a gap that shows most in low-lit rooms.

Pure White
Antique Glass
Pure White
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

At LRV 84 vs 52, Pure White is decisively the brighter choice.

Artichoke
Antique Glass
Artichoke
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Sherwin-Williams
Artichoke
LRV 21

At LRV 52 vs 21, Antique Glass is decisively the brighter choice.

Balboa Mist
Antique Glass
Balboa Mist
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Balboa Mist reflects far more light (LRV 66 vs 52), opening up a space where Antique Glass encloses it.

Shoji White
Antique Glass
Shoji White
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Shoji White reflects far more light (LRV 74 vs 52), opening up a space where Antique Glass encloses it.

Snowbound
Antique Glass
Snowbound
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 52), opening up a space where Antique Glass encloses it.

Pigeon
Antique Glass
Pigeon
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Farrow & Ball
Pigeon
LRV 51

Their light reflectance is nearly identical (LRV 52 vs 51), so neither reads brighter in a room.

Pewter Green
Antique Glass
Pewter Green
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Antique Glass reflects far more light (LRV 52 vs 12), opening up a space where Pewter Green encloses it.

Duck Green
Antique Glass
Duck Green
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Antique Glass reflects far more light (LRV 52 vs 8), opening up a space where Duck Green encloses it.

Skimming Stone
Antique Glass
Skimming Stone
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Skimming Stone reflects far more light (LRV 68 vs 52), opening up a space where Antique Glass encloses it.

Dix Blue
Antique Glass
Dix Blue
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Farrow & Ball
Dix Blue
LRV 41

A 11-point LRV gap (52 vs 41) makes Antique Glass the marginally brighter of the two.

Hicks' Blue
Antique Glass
Hicks' Blue
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Antique Glass vs Hicks' Blue

Slaked Lime Deep
Antique Glass
Slaked Lime Deep

Antique Glass vs Slaked Lime Deep

Vintage Vogue
Antique Glass
Vintage Vogue
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Antique Glass reflects far more light (LRV 52 vs 12), opening up a space where Vintage Vogue encloses it.

Livid
Antique Glass
Livid
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Antique Glass vs Livid

Saybrook Sage
Antique Glass
Saybrook Sage
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

Antique Glass reads slightly lighter (LRV 52 vs 45), a gap that shows most in low-lit rooms.

Pale Green
Antique Glass
Pale Green
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
RAL ClassicClassic
Pale Green
LRV 31

At LRV 52 vs 31, Antique Glass is decisively the brighter choice.