Bryan Ochre vs Richmond Gold paint color comparison

Bryan Ochre vs Richmond Gold

Bryan OchreBenjamin MoorevsRichmond GoldBenjamin MooreΔE 3.4Noticeable difference

Both from Benjamin Moore's palette. These are both beiges, so the question isn't which hue to choose — it's where within beige to land. They have nearly identical light reflectance values (29 vs 31), so they'll read as similarly Medium in most lighting conditions. Both lean red, so they'll behave similarly in mixed or changing light conditions. The ΔE 3.4 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Bryan Ochre
Benjamin Moore · CW-390
Hex#B28A59
LRV28.8
BrandBenjamin Moore
NumberCW-390
UndertoneRed
TemperatureWarm
BrightnessMedium
Richmond Gold
Benjamin Moore · HC-41
Hex#B79163
LRV30.5
BrandBenjamin Moore
NumberHC-41
UndertoneRed
TemperatureWarm
BrightnessMedium

Bryan Ochre vs Richmond Gold Simulated Comparison

5 simulated room previews — drag the slider on each to see Bryan Ochre on one side and Richmond Gold on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Bryan Ochre comparisons

See how Bryan Ochre stacks up against other well-photographed colors across different brands and tones.

White Dove
Bryan Ochre
White Dove
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

White Dove reflects far more light (LRV 83 vs 29), opening up a space where Bryan Ochre encloses it.

Ammonite
Bryan Ochre
Ammonite
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 29, Ammonite is decisively the brighter choice.

Iron Ore
Bryan Ochre
Iron Ore
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

Bryan Ochre reflects far more light (LRV 29 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
Bryan Ochre
Purbeck Stone
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

At LRV 52 vs 29, Purbeck Stone is decisively the brighter choice.

Evergreen Fog
Bryan Ochre
Evergreen Fog
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

Their light reflectance is nearly identical (LRV 30 vs 29), so neither reads brighter in a room.

Mizzle
Bryan Ochre
Mizzle
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Farrow & Ball
Mizzle
LRV 52

Mizzle reflects far more light (LRV 52 vs 29), opening up a space where Bryan Ochre encloses it.

Agreeable Gray
Bryan Ochre
Agreeable Gray
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

At LRV 60 vs 29, Agreeable Gray is decisively the brighter choice.

Accessible Beige
Bryan Ochre
Accessible Beige
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

Accessible Beige reflects far more light (LRV 58 vs 29), opening up a space where Bryan Ochre encloses it.

Denim Drift
Bryan Ochre
Denim Drift
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

With LRVs of 29 and 27, the two reflect almost the same amount of light.

French Gray
Bryan Ochre
French Gray
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

At LRV 43 vs 29, French Gray is decisively the brighter choice.

Naval
Bryan Ochre
Naval
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Sherwin-Williams
Naval
LRV 4

At LRV 29 vs 4, Bryan Ochre is decisively the brighter choice.

Tranquil Dawn
Bryan Ochre
Tranquil Dawn
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

Tranquil Dawn reflects far more light (LRV 55 vs 29), opening up a space where Bryan Ochre encloses it.

Bancha
Bryan Ochre
Bancha
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Farrow & Ball
Bancha
LRV 13

Bryan Ochre reflects far more light (LRV 29 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Bryan Ochre
Hardwick White
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

Hardwick White reflects far more light (LRV 44 vs 29), opening up a space where Bryan Ochre encloses it.

Pure White
Bryan Ochre
Pure White
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

At LRV 84 vs 29, Pure White is decisively the brighter choice.

Artichoke
Bryan Ochre
Artichoke
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Sherwin-Williams
Artichoke
LRV 21

A 7-point LRV gap (29 vs 21) makes Bryan Ochre the marginally brighter of the two.

Balboa Mist
Balboa Mist
Bryan Ochre
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

Balboa Mist reflects far more light (LRV 66 vs 29), opening up a space where Bryan Ochre encloses it.

Shoji White
Bryan Ochre
Shoji White
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

Shoji White reflects far more light (LRV 74 vs 29), opening up a space where Bryan Ochre encloses it.

Snowbound
Bryan Ochre
Snowbound
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 29), opening up a space where Bryan Ochre encloses it.

Pewter Green
Bryan Ochre
Pewter Green
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

Bryan Ochre reflects far more light (LRV 29 vs 12), opening up a space where Pewter Green encloses it.

Skimming Stone
Bryan Ochre
Skimming Stone
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

Skimming Stone reflects far more light (LRV 68 vs 29), opening up a space where Bryan Ochre encloses it.

Dix Blue
Bryan Ochre
Dix Blue
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Farrow & Ball
Dix Blue
LRV 41

At LRV 41 vs 29, Dix Blue is decisively the brighter choice.

Calamine
Bryan Ochre
Calamine
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Farrow & Ball
Calamine
LRV 68

At LRV 68 vs 29, Calamine is decisively the brighter choice.

Treron
Bryan Ochre
Treron
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Farrow & Ball
Treron
LRV 25

A 4-point LRV gap (29 vs 25) makes Bryan Ochre the marginally brighter of the two.

Vintage Vogue
Bryan Ochre
Vintage Vogue
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

Bryan Ochre reflects far more light (LRV 29 vs 12), opening up a space where Vintage Vogue encloses it.

Saybrook Sage
Bryan Ochre
Saybrook Sage
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

Saybrook Sage reflects far more light (LRV 45 vs 29), opening up a space where Bryan Ochre encloses it.

Pale Green
Bryan Ochre
Pale Green
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
RAL ClassicClassic
Pale Green
LRV 31

Their light reflectance is nearly identical (LRV 31 vs 29), so neither reads brighter in a room.

Pine Needle
Bryan Ochre
Pine Needle
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

At LRV 29 vs 7, Bryan Ochre is decisively the brighter choice.

Cement grey
Bryan Ochre
Cement grey
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
RAL ClassicClassic
Cement grey
LRV 24

A 5-point LRV gap (29 vs 24) makes Bryan Ochre the marginally brighter of the two.

Guilford Green
Bryan Ochre
Guilford Green
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

At LRV 57 vs 29, Guilford Green is decisively the brighter choice.