Cedar Mountains vs Ammonite
Where Cedar Mountains belongs to Benjamin Moore's range, Ammonite is a Farrow & Ball color. Hue-wise, Cedar Mountains belongs to the green-grey family and Ammonite to the beige-greige family. Ammonite (LRV 69) reflects noticeably more light than Cedar Mountains (LRV 24), a difference of 45 points that becomes especially apparent in rooms with limited natural light. Cedar Mountains runs green while Ammonite is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 33.5, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Cedar Mountains vs Ammonite in Real Spaces
3 real rooms side by side. Seeing Cedar Mountains and Ammonite in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Ammonite will make the room feel meaningfully brighter than Cedar Mountains would.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Ammonite returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Ammonite reflects noticeably more light off the walls, making the space read more open than Cedar Mountains.
Color Details
Cedar Mountains vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Cedar Mountains on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cedar Mountains comparisons
See how Cedar Mountains stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 24), opening up a space where Cedar Mountains encloses it.
Cedar Mountains reflects far more light (LRV 24 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 24, Purbeck Stone is decisively the brighter choice.
A 7-point LRV gap (30 vs 24) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 24), opening up a space where Cedar Mountains encloses it.
At LRV 60 vs 24, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 24), opening up a space where Cedar Mountains encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 24), a gap that shows most in low-lit rooms.
At LRV 43 vs 24, French Gray is decisively the brighter choice.
At LRV 24 vs 4, Cedar Mountains is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 24), opening up a space where Cedar Mountains encloses it.
Cedar Mountains reads slightly lighter (LRV 24 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 24), opening up a space where Cedar Mountains encloses it.
At LRV 84 vs 24, Pure White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 24 vs 21), so neither reads brighter in a room.
Balboa Mist reflects far more light (LRV 66 vs 24), opening up a space where Cedar Mountains encloses it.
Shoji White reflects far more light (LRV 74 vs 24), opening up a space where Cedar Mountains encloses it.
Snowbound reflects far more light (LRV 83 vs 24), opening up a space where Cedar Mountains encloses it.
Cedar Mountains reads slightly lighter (LRV 24 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 24), opening up a space where Cedar Mountains encloses it.
At LRV 41 vs 24, Dix Blue is decisively the brighter choice.
At LRV 68 vs 24, Calamine is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 25 vs 24), so neither reads brighter in a room.
Cedar Mountains reads slightly lighter (LRV 24 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 24), opening up a space where Cedar Mountains encloses it.
A 8-point LRV gap (31 vs 24) makes Pale Green the marginally brighter of the two.
At LRV 24 vs 7, Cedar Mountains is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 24 vs 24), so neither reads brighter in a room.
At LRV 57 vs 24, Guilford Green is decisively the brighter choice.
At LRV 72 vs 24, Just Walnut is decisively the brighter choice.