Cedar Mountains vs Mizzle
Cedar Mountains is a Benjamin Moore color while Mizzle comes from Farrow & Ball. Hue-wise, Cedar Mountains belongs to the green-grey family and Mizzle to the grey family. At LRV 52 vs 24, Mizzle will read as the brighter of the two — a 28-point gap that matters most in north-facing or low-light rooms. The tonal difference — Cedar Mountains's green character against Mizzle's warm — becomes most visible against white trim or in morning light. At ΔE 24.7, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Cedar Mountains vs Mizzle in Real Spaces
5 real rooms side by side. Seeing Cedar Mountains and Mizzle in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Mizzle returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Mizzle reflects noticeably more light off the walls, making the space read more open than Cedar Mountains.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that Mizzle will make the room feel meaningfully brighter than Cedar Mountains would.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Mizzle returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The LRV gap is large enough that Mizzle will make the room feel meaningfully brighter than Cedar Mountains would.
Color Details
Cedar Mountains vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see Cedar Mountains on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cedar Mountains comparisons
See how Cedar Mountains stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 24), opening up a space where Cedar Mountains encloses it.


At LRV 69 vs 24, Ammonite is decisively the brighter choice.


Cedar Mountains reflects far more light (LRV 24 vs 6), opening up a space where Iron Ore encloses it.


At LRV 52 vs 24, Purbeck Stone is decisively the brighter choice.


A 7-point LRV gap (30 vs 24) makes Evergreen Fog the marginally brighter of the two.


At LRV 60 vs 24, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 24), opening up a space where Cedar Mountains encloses it.


Denim Drift reads slightly lighter (LRV 27 vs 24), a gap that shows most in low-lit rooms.


At LRV 43 vs 24, French Gray is decisively the brighter choice.


At LRV 24 vs 4, Cedar Mountains is decisively the brighter choice.


Tranquil Dawn reflects far more light (LRV 55 vs 24), opening up a space where Cedar Mountains encloses it.


Cedar Mountains reads slightly lighter (LRV 24 vs 13), a gap that shows most in low-lit rooms.


Hardwick White reflects far more light (LRV 44 vs 24), opening up a space where Cedar Mountains encloses it.


At LRV 84 vs 24, Pure White is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 24 vs 21), so neither reads brighter in a room.


Balboa Mist reflects far more light (LRV 66 vs 24), opening up a space where Cedar Mountains encloses it.


Shoji White reflects far more light (LRV 74 vs 24), opening up a space where Cedar Mountains encloses it.


Snowbound reflects far more light (LRV 83 vs 24), opening up a space where Cedar Mountains encloses it.


Cedar Mountains reads slightly lighter (LRV 24 vs 12), a gap that shows most in low-lit rooms.


Skimming Stone reflects far more light (LRV 68 vs 24), opening up a space where Cedar Mountains encloses it.


At LRV 41 vs 24, Dix Blue is decisively the brighter choice.


At LRV 68 vs 24, Calamine is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 25 vs 24), so neither reads brighter in a room.


Cedar Mountains reads slightly lighter (LRV 24 vs 12), a gap that shows most in low-lit rooms.


Saybrook Sage reflects far more light (LRV 45 vs 24), opening up a space where Cedar Mountains encloses it.


A 8-point LRV gap (31 vs 24) makes Pale Green the marginally brighter of the two.


At LRV 24 vs 7, Cedar Mountains is decisively the brighter choice.



Their light reflectance is nearly identical (LRV 24 vs 24), so neither reads brighter in a room.


At LRV 57 vs 24, Guilford Green is decisively the brighter choice.


At LRV 72 vs 24, Just Walnut is decisively the brighter choice.


















