Crimson vs Skimming Stone
Where Crimson belongs to Benjamin Moore's range, Skimming Stone is a Farrow & Ball color. Crimson reads as pink-red, while Skimming Stone reads as beige-greige — two distinct hue families, not close cousins. Skimming Stone (LRV 68) reflects noticeably more light than Crimson (LRV 20), a difference of 49 points that becomes especially apparent in rooms with limited natural light. Crimson runs red while Skimming Stone is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 49.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Crimson vs Skimming Stone Simulated Comparison
5 simulated room previews — drag the slider on each to see Crimson on one side and Skimming Stone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Crimson comparisons
See how Crimson stacks up against other well-photographed colors across different brands and tones.

At LRV 83 vs 20, White Dove is decisively the brighter choice.

Purbeck Stone reflects far more light (LRV 52 vs 20), opening up a space where Crimson encloses it.

Evergreen Fog reads slightly lighter (LRV 30 vs 20), a gap that shows most in low-lit rooms.

Agreeable Gray reflects far more light (LRV 60 vs 20), opening up a space where Crimson encloses it.

At LRV 58 vs 20, Accessible Beige is decisively the brighter choice.

A 7-point LRV gap (27 vs 20) makes Denim Drift the marginally brighter of the two.

French Gray reflects far more light (LRV 43 vs 20), opening up a space where Crimson encloses it.

At LRV 55 vs 20, Tranquil Dawn is decisively the brighter choice.

At LRV 44 vs 20, Hardwick White is decisively the brighter choice.

Pure White reflects far more light (LRV 84 vs 20), opening up a space where Crimson encloses it.

At LRV 66 vs 20, Balboa Mist is decisively the brighter choice.

At LRV 74 vs 20, Shoji White is decisively the brighter choice.

A 8-point LRV gap (20 vs 12) makes Crimson the marginally brighter of the two.

A 8-point LRV gap (20 vs 12) makes Crimson the marginally brighter of the two.

At LRV 45 vs 20, Saybrook Sage is decisively the brighter choice.

Pale Green reads slightly lighter (LRV 31 vs 20), a gap that shows most in low-lit rooms.

Crimson reflects far more light (LRV 20 vs 7), opening up a space where Pine Needle encloses it.

Cement grey reads slightly lighter (LRV 24 vs 20), a gap that shows most in low-lit rooms.

Guilford Green reflects far more light (LRV 57 vs 20), opening up a space where Crimson encloses it.

Just Walnut reflects far more light (LRV 72 vs 20), opening up a space where Crimson encloses it.



















