Crimson vs Naval

CrimsonBenjamin MoorevsNavalSherwin-WilliamsΔE 54.0Very different colors

Crimson is a Benjamin Moore color while Naval comes from Sherwin-Williams. Hue-wise, Crimson belongs to the pink-red family and Naval to the blue family. At LRV 20 vs 4, Crimson will read as the brighter of the two — a 15-point gap that matters most in north-facing or low-light rooms. The tonal difference — Crimson's red character against Naval's cool — becomes most visible against white trim or in morning light. At ΔE 54.0, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Crimson
Benjamin Moore · 1299
Hex#B66156
LRV19.6
BrandBenjamin Moore
Number1299
UndertoneRed
TemperatureWarm
BrightnessDark
Naval
Sherwin-Williams · 6244
Hex#2F3D4C
LRV4.5
BrandSherwin-Williams
Number6244
Undertone
TemperatureCool
BrightnessDark

Crimson vs Naval Simulated Comparison

5 simulated room previews — drag the slider on each to see Crimson on one side and Naval on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Crimson comparisons

See how Crimson stacks up against other well-photographed colors across different brands and tones.

White Dove
Crimson
White Dove
Benjamin Moore
Crimson
1299 · LRV 20

At LRV 83 vs 20, White Dove is decisively the brighter choice.

Ammonite
Crimson
Ammonite
Benjamin Moore
Crimson
1299 · LRV 20
Farrow & Ball
Ammonite
LRV 69

Ammonite reflects far more light (LRV 69 vs 20), opening up a space where Crimson encloses it.

Iron Ore
Crimson
Iron Ore
Benjamin Moore
Crimson
1299 · LRV 20

At LRV 20 vs 6, Crimson is decisively the brighter choice.

Purbeck Stone
Crimson
Purbeck Stone
Benjamin Moore
Crimson
1299 · LRV 20

Purbeck Stone reflects far more light (LRV 52 vs 20), opening up a space where Crimson encloses it.

Evergreen Fog
Crimson
Evergreen Fog
Benjamin Moore
Crimson
1299 · LRV 20

Evergreen Fog reads slightly lighter (LRV 30 vs 20), a gap that shows most in low-lit rooms.

Mizzle
Crimson
Mizzle
Benjamin Moore
Crimson
1299 · LRV 20
Farrow & Ball
Mizzle
LRV 52

At LRV 52 vs 20, Mizzle is decisively the brighter choice.

Agreeable Gray
Crimson
Agreeable Gray
Benjamin Moore
Crimson
1299 · LRV 20

Agreeable Gray reflects far more light (LRV 60 vs 20), opening up a space where Crimson encloses it.

Accessible Beige
Crimson
Accessible Beige
Benjamin Moore
Crimson
1299 · LRV 20

At LRV 58 vs 20, Accessible Beige is decisively the brighter choice.

Denim Drift
Crimson
Denim Drift
Benjamin Moore
Crimson
1299 · LRV 20

A 7-point LRV gap (27 vs 20) makes Denim Drift the marginally brighter of the two.

French Gray
Crimson
French Gray
Benjamin Moore
Crimson
1299 · LRV 20

French Gray reflects far more light (LRV 43 vs 20), opening up a space where Crimson encloses it.

Tranquil Dawn
Crimson
Tranquil Dawn
Benjamin Moore
Crimson
1299 · LRV 20

At LRV 55 vs 20, Tranquil Dawn is decisively the brighter choice.

Bancha
Crimson
Bancha
Benjamin Moore
Crimson
1299 · LRV 20
Farrow & Ball
Bancha
LRV 13

A 6-point LRV gap (20 vs 13) makes Crimson the marginally brighter of the two.

Hardwick White
Crimson
Hardwick White
Benjamin Moore
Crimson
1299 · LRV 20

At LRV 44 vs 20, Hardwick White is decisively the brighter choice.

Pure White
Crimson
Pure White
Benjamin Moore
Crimson
1299 · LRV 20

Pure White reflects far more light (LRV 84 vs 20), opening up a space where Crimson encloses it.

Artichoke
Crimson
Artichoke
Benjamin Moore
Crimson
1299 · LRV 20
Sherwin-Williams
Artichoke
LRV 21

With LRVs of 21 and 20, the two reflect almost the same amount of light.

Balboa Mist
Balboa Mist
Crimson
Benjamin Moore
Crimson
1299 · LRV 20

At LRV 66 vs 20, Balboa Mist is decisively the brighter choice.

Shoji White
Crimson
Shoji White
Benjamin Moore
Crimson
1299 · LRV 20

At LRV 74 vs 20, Shoji White is decisively the brighter choice.

Snowbound
Crimson
Snowbound
Benjamin Moore
Crimson
1299 · LRV 20
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 20, Snowbound is decisively the brighter choice.

Pewter Green
Crimson
Pewter Green
Benjamin Moore
Crimson
1299 · LRV 20

A 8-point LRV gap (20 vs 12) makes Crimson the marginally brighter of the two.

Skimming Stone
Crimson
Skimming Stone
Benjamin Moore
Crimson
1299 · LRV 20

At LRV 68 vs 20, Skimming Stone is decisively the brighter choice.

Dix Blue
Crimson
Dix Blue
Benjamin Moore
Crimson
1299 · LRV 20
Farrow & Ball
Dix Blue
LRV 41

Dix Blue reflects far more light (LRV 41 vs 20), opening up a space where Crimson encloses it.

Calamine
Crimson
Calamine
Benjamin Moore
Crimson
1299 · LRV 20
Farrow & Ball
Calamine
LRV 68

Calamine reflects far more light (LRV 68 vs 20), opening up a space where Crimson encloses it.

Treron
Crimson
Treron
Benjamin Moore
Crimson
1299 · LRV 20
Farrow & Ball
Treron
LRV 25

Treron reads slightly lighter (LRV 25 vs 20), a gap that shows most in low-lit rooms.

Vintage Vogue
Crimson
Vintage Vogue
Benjamin Moore
Crimson
1299 · LRV 20

A 8-point LRV gap (20 vs 12) makes Crimson the marginally brighter of the two.

Saybrook Sage
Crimson
Saybrook Sage
Benjamin Moore
Crimson
1299 · LRV 20

At LRV 45 vs 20, Saybrook Sage is decisively the brighter choice.

Pale Green
Crimson
Pale Green
Benjamin Moore
Crimson
1299 · LRV 20
RAL ClassicClassic
Pale Green
LRV 31

Pale Green reads slightly lighter (LRV 31 vs 20), a gap that shows most in low-lit rooms.

Pine Needle
Crimson
Pine Needle
Benjamin Moore
Crimson
1299 · LRV 20

Crimson reflects far more light (LRV 20 vs 7), opening up a space where Pine Needle encloses it.

Cement grey
Crimson
Cement grey
Benjamin Moore
Crimson
1299 · LRV 20
RAL ClassicClassic
Cement grey
LRV 24

Cement grey reads slightly lighter (LRV 24 vs 20), a gap that shows most in low-lit rooms.

Guilford Green
Crimson
Guilford Green
Benjamin Moore
Crimson
1299 · LRV 20

Guilford Green reflects far more light (LRV 57 vs 20), opening up a space where Crimson encloses it.

Just Walnut
Crimson
Just Walnut
Benjamin Moore
Crimson
1299 · LRV 20

Just Walnut reflects far more light (LRV 72 vs 20), opening up a space where Crimson encloses it.