Edgecomb Gray vs Winter White
Both from Benjamin Moore's palette. Hue-wise, Edgecomb Gray belongs to the beige-greige family and Winter White to the white family. Winter White (LRV 80) reflects noticeably more light than Edgecomb Gray (LRV 63), a difference of 16 points that becomes especially apparent in rooms with limited natural light. Edgecomb Gray runs red while Winter White is decidedly green, which means they'll respond very differently to warm vs cool light sources. The ΔE 9.0 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Edgecomb Gray vs Winter White Simulated Comparison
5 simulated room previews — drag the slider on each to see Edgecomb Gray on one side and Winter White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Edgecomb Gray comparisons
See how Edgecomb Gray stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 63), opening up a space where Edgecomb Gray encloses it.
A 6-point LRV gap (69 vs 63) makes Ammonite the marginally brighter of the two.
Edgecomb Gray reflects far more light (LRV 63 vs 6), opening up a space where Iron Ore encloses it.
A 11-point LRV gap (63 vs 52) makes Edgecomb Gray the marginally brighter of the two.
At LRV 63 vs 30, Edgecomb Gray is decisively the brighter choice.
Edgecomb Gray reads slightly lighter (LRV 63 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 63 vs 60), so neither reads brighter in a room.
Edgecomb Gray reads slightly lighter (LRV 63 vs 58), a gap that shows most in low-lit rooms.
Edgecomb Gray reflects far more light (LRV 63 vs 27), opening up a space where Denim Drift encloses it.
At LRV 63 vs 43, Edgecomb Gray is decisively the brighter choice.
At LRV 63 vs 4, Edgecomb Gray is decisively the brighter choice.
Edgecomb Gray reads slightly lighter (LRV 63 vs 55), a gap that shows most in low-lit rooms.
Edgecomb Gray reflects far more light (LRV 63 vs 13), opening up a space where Bancha encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 63, Pure White is decisively the brighter choice.
At LRV 63 vs 21, Edgecomb Gray is decisively the brighter choice.
With LRVs of 66 and 63, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 63), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 63), opening up a space where Edgecomb Gray encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 63), a gap that shows most in low-lit rooms.
At LRV 63 vs 41, Edgecomb Gray is decisively the brighter choice.
A 4-point LRV gap (68 vs 63) makes Calamine the marginally brighter of the two.
At LRV 63 vs 25, Edgecomb Gray is decisively the brighter choice.
Edgecomb Gray reflects far more light (LRV 63 vs 12), opening up a space where Vintage Vogue encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 63 vs 31, Edgecomb Gray is decisively the brighter choice.
At LRV 63 vs 7, Edgecomb Gray is decisively the brighter choice.
At LRV 63 vs 24, Edgecomb Gray is decisively the brighter choice.
A 6-point LRV gap (63 vs 57) makes Edgecomb Gray the marginally brighter of the two.