Edgecomb Gray vs Ammonite
Edgecomb Gray (Benjamin Moore) and Ammonite (Farrow & Ball) come from different manufacturers. Both sit in the beige-greige family, which is useful context if you're narrowing within a single hue direction. The 6-point LRV gap — 69 for Ammonite vs 63 for Edgecomb Gray — means Ammonite will open up a space more effectively. Where Edgecomb Gray leans red, Ammonite reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 3.7 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Edgecomb Gray vs Ammonite in Real Spaces
6 real rooms side by side. Edgecomb Gray and Ammonite are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Ammonite reads slightly lighter here — a subtle but real difference in how open the space feels.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Ammonite has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Ammonite has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The brightness difference is modest but present — Ammonite gives the walls a little more lift.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Ammonite has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. Ammonite has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Edgecomb Gray vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Edgecomb Gray on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Edgecomb Gray comparisons
See how Edgecomb Gray stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 63), opening up a space where Edgecomb Gray encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 6), opening up a space where Iron Ore encloses it.
A 11-point LRV gap (63 vs 52) makes Edgecomb Gray the marginally brighter of the two.
At LRV 63 vs 30, Edgecomb Gray is decisively the brighter choice.
Edgecomb Gray reads slightly lighter (LRV 63 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 63 vs 60), so neither reads brighter in a room.
Edgecomb Gray reads slightly lighter (LRV 63 vs 58), a gap that shows most in low-lit rooms.
Edgecomb Gray reflects far more light (LRV 63 vs 27), opening up a space where Denim Drift encloses it.
At LRV 63 vs 43, Edgecomb Gray is decisively the brighter choice.
At LRV 63 vs 4, Edgecomb Gray is decisively the brighter choice.
Edgecomb Gray reads slightly lighter (LRV 63 vs 55), a gap that shows most in low-lit rooms.
Edgecomb Gray reflects far more light (LRV 63 vs 13), opening up a space where Bancha encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 63, Pure White is decisively the brighter choice.
At LRV 63 vs 21, Edgecomb Gray is decisively the brighter choice.
With LRVs of 66 and 63, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 63), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 63), opening up a space where Edgecomb Gray encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 63), a gap that shows most in low-lit rooms.
At LRV 63 vs 41, Edgecomb Gray is decisively the brighter choice.
A 4-point LRV gap (68 vs 63) makes Calamine the marginally brighter of the two.
At LRV 63 vs 25, Edgecomb Gray is decisively the brighter choice.
Edgecomb Gray reflects far more light (LRV 63 vs 12), opening up a space where Vintage Vogue encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 63 vs 31, Edgecomb Gray is decisively the brighter choice.
At LRV 63 vs 7, Edgecomb Gray is decisively the brighter choice.
At LRV 63 vs 24, Edgecomb Gray is decisively the brighter choice.
A 6-point LRV gap (63 vs 57) makes Edgecomb Gray the marginally brighter of the two.
A 9-point LRV gap (72 vs 63) makes Just Walnut the marginally brighter of the two.