Edgecomb Gray vs Slaked Lime Deep
Edgecomb Gray is a Benjamin Moore color while Slaked Lime Deep comes from Little Greene. Edgecomb Gray reads as beige-greige, while Slaked Lime Deep reads as beige — two distinct hue families, not close cousins. Edgecomb Gray has an LRV of 63. They share a red quality — useful to know if you're layering them in the same space. At ΔE 7.1, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Edgecomb Gray vs Slaked Lime Deep in Real Spaces
5 real rooms side by side. Edgecomb Gray and Slaked Lime Deep are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Edgecomb Gray vs Slaked Lime Deep Simulated Comparison
5 simulated room previews — drag the slider on each to see Edgecomb Gray on one side and Slaked Lime Deep on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Edgecomb Gray comparisons
See how Edgecomb Gray stacks up against other well-photographed colors across different brands and tones.
A 6-point LRV gap (69 vs 63) makes Ammonite the marginally brighter of the two.
White Dove reflects far more light (LRV 83 vs 63), opening up a space where Edgecomb Gray encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 6), opening up a space where Iron Ore encloses it.
A 11-point LRV gap (63 vs 52) makes Edgecomb Gray the marginally brighter of the two.
At LRV 63 vs 30, Edgecomb Gray is decisively the brighter choice.
Edgecomb Gray reads slightly lighter (LRV 63 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 63 vs 60), so neither reads brighter in a room.
Edgecomb Gray reads slightly lighter (LRV 63 vs 58), a gap that shows most in low-lit rooms.
Edgecomb Gray reflects far more light (LRV 63 vs 27), opening up a space where Denim Drift encloses it.
At LRV 63 vs 43, Edgecomb Gray is decisively the brighter choice.
At LRV 63 vs 4, Edgecomb Gray is decisively the brighter choice.
Edgecomb Gray reads slightly lighter (LRV 63 vs 55), a gap that shows most in low-lit rooms.
Edgecomb Gray reflects far more light (LRV 63 vs 13), opening up a space where Bancha encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 63, Pure White is decisively the brighter choice.
At LRV 63 vs 21, Edgecomb Gray is decisively the brighter choice.
With LRVs of 66 and 63, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 63), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 63), opening up a space where Edgecomb Gray encloses it.
At LRV 63 vs 51, Edgecomb Gray is decisively the brighter choice.
Edgecomb Gray reflects far more light (LRV 63 vs 12), opening up a space where Pewter Green encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 63), a gap that shows most in low-lit rooms.
At LRV 63 vs 41, Edgecomb Gray is decisively the brighter choice.
Edgecomb Gray reflects far more light (LRV 63 vs 12), opening up a space where Vintage Vogue encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 63 vs 31, Edgecomb Gray is decisively the brighter choice.
At LRV 63 vs 7, Edgecomb Gray is decisively the brighter choice.