Finnie Gray vs Ammonite
Finnie Gray is a Benjamin Moore color while Ammonite comes from Farrow & Ball. Both sit in the beige-greige family, which is useful context if you're narrowing within a single hue direction. At LRV 69 vs 42, Ammonite will read as the brighter of the two — a 27-point gap that matters most in north-facing or low-light rooms. The tonal difference — Finnie Gray's red character against Ammonite's warm — becomes most visible against white trim or in morning light. At ΔE 17.0, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Finnie Gray vs Ammonite in Real Spaces
2 real rooms side by side. Seeing Finnie Gray and Ammonite in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Ammonite returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The LRV gap is large enough that Ammonite will make the room feel meaningfully brighter than Finnie Gray would.
Color Details
Finnie Gray vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Finnie Gray on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Finnie Gray comparisons
See how Finnie Gray stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 42, White Dove is decisively the brighter choice.
At LRV 42 vs 6, Finnie Gray is decisively the brighter choice.
Purbeck Stone reads slightly lighter (LRV 52 vs 42), a gap that shows most in low-lit rooms.
Finnie Gray reads slightly lighter (LRV 42 vs 30), a gap that shows most in low-lit rooms.
A 10-point LRV gap (52 vs 42) makes Mizzle the marginally brighter of the two.
Agreeable Gray reflects far more light (LRV 60 vs 42), opening up a space where Finnie Gray encloses it.
At LRV 58 vs 42, Accessible Beige is decisively the brighter choice.
At LRV 42 vs 27, Finnie Gray is decisively the brighter choice.
With LRVs of 43 and 42, the two reflect almost the same amount of light.
Finnie Gray reflects far more light (LRV 42 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 42, Tranquil Dawn is decisively the brighter choice.
At LRV 42 vs 13, Finnie Gray is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 44 vs 42), so neither reads brighter in a room.
Pure White reflects far more light (LRV 84 vs 42), opening up a space where Finnie Gray encloses it.
Finnie Gray reflects far more light (LRV 42 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 42, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 42, Shoji White is decisively the brighter choice.
At LRV 83 vs 42, Snowbound is decisively the brighter choice.
Pigeon reads slightly lighter (LRV 51 vs 42), a gap that shows most in low-lit rooms.
At LRV 42 vs 12, Finnie Gray is decisively the brighter choice.
At LRV 42 vs 8, Finnie Gray is decisively the brighter choice.
At LRV 68 vs 42, Skimming Stone is decisively the brighter choice.
With LRVs of 42 and 41, the two reflect almost the same amount of light.
At LRV 42 vs 12, Finnie Gray is decisively the brighter choice.
A 4-point LRV gap (45 vs 42) makes Saybrook Sage the marginally brighter of the two.
Finnie Gray reads slightly lighter (LRV 42 vs 31), a gap that shows most in low-lit rooms.
Finnie Gray reflects far more light (LRV 42 vs 7), opening up a space where Pine Needle encloses it.