Good Vibrations vs Mizzle
Good Vibrations (Benjamin Moore) and Mizzle (Farrow & Ball) come from different manufacturers. Hue-wise, Good Vibrations belongs to the beige family and Mizzle to the grey family. The 27-point LRV gap — 79 for Good Vibrations vs 52 for Mizzle — means Good Vibrations will open up a space more effectively. Where Good Vibrations leans red, Mizzle reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 25.4 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Good Vibrations vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see Good Vibrations on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Good Vibrations comparisons
See how Good Vibrations stacks up against other well-photographed colors across different brands and tones.
A 4-point LRV gap (83 vs 79) makes White Dove the marginally brighter of the two.
Good Vibrations reads slightly lighter (LRV 79 vs 69), a gap that shows most in low-lit rooms.
At LRV 79 vs 6, Good Vibrations is decisively the brighter choice.
Good Vibrations reflects far more light (LRV 79 vs 52), opening up a space where Purbeck Stone encloses it.
Good Vibrations reflects far more light (LRV 79 vs 30), opening up a space where Evergreen Fog encloses it.
Good Vibrations reflects far more light (LRV 79 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 79 vs 58, Good Vibrations is decisively the brighter choice.
At LRV 79 vs 27, Good Vibrations is decisively the brighter choice.
Good Vibrations reflects far more light (LRV 79 vs 43), opening up a space where French Gray encloses it.
Good Vibrations reflects far more light (LRV 79 vs 4), opening up a space where Naval encloses it.
At LRV 79 vs 55, Good Vibrations is decisively the brighter choice.
At LRV 79 vs 13, Good Vibrations is decisively the brighter choice.
At LRV 79 vs 44, Good Vibrations is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 79), a gap that shows most in low-lit rooms.
Good Vibrations reflects far more light (LRV 79 vs 21), opening up a space where Artichoke encloses it.
At LRV 79 vs 66, Good Vibrations is decisively the brighter choice.
A 4-point LRV gap (79 vs 74) makes Good Vibrations the marginally brighter of the two.
A 4-point LRV gap (83 vs 79) makes Snowbound the marginally brighter of the two.
At LRV 79 vs 12, Good Vibrations is decisively the brighter choice.
A 11-point LRV gap (79 vs 68) makes Good Vibrations the marginally brighter of the two.
Good Vibrations reflects far more light (LRV 79 vs 41), opening up a space where Dix Blue encloses it.
Good Vibrations reads slightly lighter (LRV 79 vs 68), a gap that shows most in low-lit rooms.
Good Vibrations reflects far more light (LRV 79 vs 25), opening up a space where Treron encloses it.
At LRV 79 vs 12, Good Vibrations is decisively the brighter choice.
At LRV 79 vs 45, Good Vibrations is decisively the brighter choice.
Good Vibrations reflects far more light (LRV 79 vs 31), opening up a space where Pale Green encloses it.
Good Vibrations reflects far more light (LRV 79 vs 7), opening up a space where Pine Needle encloses it.
Good Vibrations reflects far more light (LRV 79 vs 24), opening up a space where Cement grey encloses it.
Good Vibrations reflects far more light (LRV 79 vs 57), opening up a space where Guilford Green encloses it.
Good Vibrations reads slightly lighter (LRV 79 vs 72), a gap that shows most in low-lit rooms.