Granny Smith vs Bancha
Granny Smith is a Benjamin Moore color while Bancha comes from Farrow & Ball. Hue-wise, Granny Smith belongs to the beige-yellow family and Bancha to the beige-greige family. At LRV 57 vs 13, Granny Smith will read as the brighter of the two — a 44-point gap that matters most in north-facing or low-light rooms. The tonal difference — Granny Smith's yellow character against Bancha's warm — becomes most visible against white trim or in morning light. At ΔE 56.3, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Granny Smith vs Bancha Simulated Comparison
5 simulated room previews — drag the slider on each to see Granny Smith on one side and Bancha on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Granny Smith comparisons
See how Granny Smith stacks up against other well-photographed colors across different brands and tones.
Ammonite reads slightly lighter (LRV 69 vs 57), a gap that shows most in low-lit rooms.
At LRV 83 vs 57, White Dove is decisively the brighter choice.
At LRV 57 vs 6, Granny Smith is decisively the brighter choice.
Granny Smith reads slightly lighter (LRV 57 vs 52), a gap that shows most in low-lit rooms.
Granny Smith reflects far more light (LRV 57 vs 30), opening up a space where Evergreen Fog encloses it.
A 5-point LRV gap (57 vs 52) makes Granny Smith the marginally brighter of the two.
Agreeable Gray reads slightly lighter (LRV 60 vs 57), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 58 vs 57), so neither reads brighter in a room.
At LRV 57 vs 27, Granny Smith is decisively the brighter choice.
Granny Smith reflects far more light (LRV 57 vs 43), opening up a space where French Gray encloses it.
Granny Smith reflects far more light (LRV 57 vs 4), opening up a space where Naval encloses it.
Their light reflectance is nearly identical (LRV 57 vs 55), so neither reads brighter in a room.
At LRV 57 vs 44, Granny Smith is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 57), opening up a space where Granny Smith encloses it.
Granny Smith reflects far more light (LRV 57 vs 21), opening up a space where Artichoke encloses it.
A 8-point LRV gap (66 vs 57) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 57, Shoji White is decisively the brighter choice.
At LRV 83 vs 57, Snowbound is decisively the brighter choice.
Granny Smith reads slightly lighter (LRV 57 vs 51), a gap that shows most in low-lit rooms.
At LRV 57 vs 12, Granny Smith is decisively the brighter choice.
At LRV 57 vs 8, Granny Smith is decisively the brighter choice.
A 11-point LRV gap (68 vs 57) makes Skimming Stone the marginally brighter of the two.
Granny Smith reflects far more light (LRV 57 vs 41), opening up a space where Dix Blue encloses it.
At LRV 57 vs 12, Granny Smith is decisively the brighter choice.
A 12-point LRV gap (57 vs 45) makes Granny Smith the marginally brighter of the two.
Granny Smith reflects far more light (LRV 57 vs 31), opening up a space where Pale Green encloses it.
Granny Smith reflects far more light (LRV 57 vs 7), opening up a space where Pine Needle encloses it.