Happily Ever After vs Banana Split
Happily Ever After (Benjamin Moore) and Banana Split (Dulux) come from different manufacturers. Both sit in the beige family, which is useful context if you're narrowing within a single hue direction. The 10-point LRV gap — 70 for Banana Split vs 60 for Happily Ever After — means Banana Split will open up a space more effectively. Where Happily Ever After leans red, Banana Split reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 6.2 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Happily Ever After vs Banana Split Simulated Comparison
5 simulated room previews — drag the slider on each to see Happily Ever After on one side and Banana Split on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Happily Ever After comparisons
See how Happily Ever After stacks up against other well-photographed colors across different brands and tones.
Ammonite reads slightly lighter (LRV 69 vs 60), a gap that shows most in low-lit rooms.
At LRV 83 vs 60, White Dove is decisively the brighter choice.
At LRV 60 vs 6, Happily Ever After is decisively the brighter choice.
Happily Ever After reads slightly lighter (LRV 60 vs 52), a gap that shows most in low-lit rooms.
Happily Ever After reflects far more light (LRV 60 vs 30), opening up a space where Evergreen Fog encloses it.
A 9-point LRV gap (60 vs 52) makes Happily Ever After the marginally brighter of the two.
With LRVs of 60 and 60, the two reflect almost the same amount of light.
Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.
At LRV 60 vs 27, Happily Ever After is decisively the brighter choice.
Happily Ever After reflects far more light (LRV 60 vs 43), opening up a space where French Gray encloses it.
Happily Ever After reflects far more light (LRV 60 vs 4), opening up a space where Naval encloses it.
A 5-point LRV gap (60 vs 55) makes Happily Ever After the marginally brighter of the two.
At LRV 60 vs 13, Happily Ever After is decisively the brighter choice.
At LRV 60 vs 44, Happily Ever After is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 60), opening up a space where Happily Ever After encloses it.
Happily Ever After reflects far more light (LRV 60 vs 21), opening up a space where Artichoke encloses it.
A 5-point LRV gap (66 vs 60) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 60, Shoji White is decisively the brighter choice.
At LRV 83 vs 60, Snowbound is decisively the brighter choice.
Happily Ever After reads slightly lighter (LRV 60 vs 51), a gap that shows most in low-lit rooms.
At LRV 60 vs 12, Happily Ever After is decisively the brighter choice.
At LRV 60 vs 8, Happily Ever After is decisively the brighter choice.
A 8-point LRV gap (68 vs 60) makes Skimming Stone the marginally brighter of the two.
Happily Ever After reflects far more light (LRV 60 vs 41), opening up a space where Dix Blue encloses it.
At LRV 60 vs 12, Happily Ever After is decisively the brighter choice.
At LRV 60 vs 45, Happily Ever After is decisively the brighter choice.
Happily Ever After reflects far more light (LRV 60 vs 31), opening up a space where Pale Green encloses it.