In the Midnight Hour vs Newburg Green
Both from Benjamin Moore's palette. In the Midnight Hour reads as blue, while Newburg Green reads as blue-green — two distinct hue families, not close cousins. They have nearly identical light reflectance values (10 vs 11), so they'll read as similarly Dark in most lighting conditions. Both lean blue, so they'll behave similarly in mixed or changing light conditions. At ΔE 2.8, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
In the Midnight Hour vs Newburg Green Simulated Comparison
5 simulated room previews — drag the slider on each to see In the Midnight Hour on one side and Newburg Green on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In the Midnight Hour comparisons
See how In the Midnight Hour stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 10, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 10), opening up a space where In the Midnight Hour encloses it.
A 5-point LRV gap (10 vs 6) makes In the Midnight Hour the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 10), opening up a space where In the Midnight Hour encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 10), opening up a space where In the Midnight Hour encloses it.
At LRV 52 vs 10, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 10), opening up a space where In the Midnight Hour encloses it.
At LRV 58 vs 10, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 10, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 10), opening up a space where In the Midnight Hour encloses it.
In the Midnight Hour reads slightly lighter (LRV 10 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 10, Tranquil Dawn is decisively the brighter choice.
A 3-point LRV gap (13 vs 10) makes Bancha the marginally brighter of the two.
At LRV 44 vs 10, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 10), opening up a space where In the Midnight Hour encloses it.
Artichoke reads slightly lighter (LRV 21 vs 10), a gap that shows most in low-lit rooms.
At LRV 66 vs 10, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 10, Shoji White is decisively the brighter choice.
At LRV 83 vs 10, Snowbound is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 10), so neither reads brighter in a room.
At LRV 68 vs 10, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 10), opening up a space where In the Midnight Hour encloses it.
Calamine reflects far more light (LRV 68 vs 10), opening up a space where In the Midnight Hour encloses it.
Treron reflects far more light (LRV 25 vs 10), opening up a space where In the Midnight Hour encloses it.
Their light reflectance is nearly identical (LRV 12 vs 10), so neither reads brighter in a room.
At LRV 45 vs 10, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 10), opening up a space where In the Midnight Hour encloses it.
In the Midnight Hour reads slightly lighter (LRV 10 vs 7), a gap that shows most in low-lit rooms.
Cement grey reflects far more light (LRV 24 vs 10), opening up a space where In the Midnight Hour encloses it.
Guilford Green reflects far more light (LRV 57 vs 10), opening up a space where In the Midnight Hour encloses it.