In the Midnight Hour vs Shell Pink
Both from Benjamin Moore's palette. Hue-wise, In the Midnight Hour belongs to the blue family and Shell Pink to the beige-pink family. Shell Pink (LRV 82) reflects noticeably more light than In the Midnight Hour (LRV 10), a difference of 72 points that becomes especially apparent in rooms with limited natural light. In the Midnight Hour runs blue while Shell Pink is decidedly red, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 60.7, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
In the Midnight Hour vs Shell Pink Simulated Comparison
5 simulated room previews — drag the slider on each to see In the Midnight Hour on one side and Shell Pink on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In the Midnight Hour comparisons
See how In the Midnight Hour stacks up against other well-photographed colors across different brands and tones.
