Oilcloth vs Pigeon
Oilcloth is a Benjamin Moore color while Pigeon comes from Farrow & Ball. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. At LRV 51 vs 35, Pigeon will read as the brighter of the two — a 15-point gap that matters most in north-facing or low-light rooms. The tonal difference — Oilcloth's yellow character against Pigeon's neutral — becomes most visible against white trim or in morning light. With a ΔE of 1.2, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Oilcloth vs Pigeon in Real Spaces
4 real rooms side by side. Oilcloth and Pigeon are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Pigeon returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Pigeon will make the room feel meaningfully brighter than Oilcloth would.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Pigeon will make the room feel meaningfully brighter than Oilcloth would.
Color Details
Oilcloth vs Pigeon Simulated Comparison
5 simulated room previews — drag the slider on each to see Oilcloth on one side and Pigeon on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Oilcloth comparisons
See how Oilcloth stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 35, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 35), opening up a space where Oilcloth encloses it.
Oilcloth reads slightly lighter (LRV 35 vs 30), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 35), opening up a space where Oilcloth encloses it.
At LRV 58 vs 35, Accessible Beige is decisively the brighter choice.
A 8-point LRV gap (35 vs 27) makes Oilcloth the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 35), a gap that shows most in low-lit rooms.
At LRV 55 vs 35, Tranquil Dawn is decisively the brighter choice.
A 8-point LRV gap (44 vs 35) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 35), opening up a space where Oilcloth encloses it.
At LRV 66 vs 35, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 35, Shoji White is decisively the brighter choice.
At LRV 35 vs 12, Oilcloth is decisively the brighter choice.
At LRV 35 vs 8, Oilcloth is decisively the brighter choice.
At LRV 68 vs 35, Skimming Stone is decisively the brighter choice.
At LRV 35 vs 12, Oilcloth is decisively the brighter choice.
A 10-point LRV gap (45 vs 35) makes Saybrook Sage the marginally brighter of the two.
Oilcloth reads slightly lighter (LRV 35 vs 31), a gap that shows most in low-lit rooms.
Oilcloth reflects far more light (LRV 35 vs 7), opening up a space where Pine Needle encloses it.