Old Salem Gray vs Denim Drift
Old Salem Gray is a Benjamin Moore color while Denim Drift comes from Dulux. Old Salem Gray reads as beige-greige, while Denim Drift reads as blue-grey — two distinct hue families, not close cousins. At LRV 32 vs 27, Old Salem Gray will read as the brighter of the two — a 5-point gap that matters most in north-facing or low-light rooms. The tonal difference — Old Salem Gray's yellow character against Denim Drift's cool — becomes most visible against white trim or in morning light. At ΔE 25.9, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Old Salem Gray vs Denim Drift in Real Spaces
1 real room side by side. Seeing Old Salem Gray and Denim Drift in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The brightness difference is modest but present — Old Salem Gray gives the walls a little more lift.
Color Details
Old Salem Gray vs Denim Drift Simulated Comparison
5 simulated room previews — drag the slider on each to see Old Salem Gray on one side and Denim Drift on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Old Salem Gray comparisons
See how Old Salem Gray stacks up against other well-photographed colors across different brands and tones.


At LRV 69 vs 32, Ammonite is decisively the brighter choice.


White Dove reflects far more light (LRV 83 vs 32), opening up a space where Old Salem Gray encloses it.


Old Salem Gray reflects far more light (LRV 32 vs 6), opening up a space where Iron Ore encloses it.


At LRV 52 vs 32, Purbeck Stone is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 32 vs 30), so neither reads brighter in a room.


Mizzle reflects far more light (LRV 52 vs 32), opening up a space where Old Salem Gray encloses it.


At LRV 60 vs 32, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 32), opening up a space where Old Salem Gray encloses it.


A 11-point LRV gap (43 vs 32) makes French Gray the marginally brighter of the two.


At LRV 32 vs 4, Old Salem Gray is decisively the brighter choice.


Tranquil Dawn reflects far more light (LRV 55 vs 32), opening up a space where Old Salem Gray encloses it.


Old Salem Gray reflects far more light (LRV 32 vs 13), opening up a space where Bancha encloses it.


Hardwick White reads slightly lighter (LRV 44 vs 32), a gap that shows most in low-lit rooms.


At LRV 84 vs 32, Pure White is decisively the brighter choice.


A 11-point LRV gap (32 vs 21) makes Old Salem Gray the marginally brighter of the two.


Balboa Mist reflects far more light (LRV 66 vs 32), opening up a space where Old Salem Gray encloses it.


Shoji White reflects far more light (LRV 74 vs 32), opening up a space where Old Salem Gray encloses it.


Snowbound reflects far more light (LRV 83 vs 32), opening up a space where Old Salem Gray encloses it.


At LRV 51 vs 32, Pigeon is decisively the brighter choice.


Old Salem Gray reflects far more light (LRV 32 vs 12), opening up a space where Pewter Green encloses it.


Old Salem Gray reflects far more light (LRV 32 vs 8), opening up a space where Duck Green encloses it.


Skimming Stone reflects far more light (LRV 68 vs 32), opening up a space where Old Salem Gray encloses it.


A 9-point LRV gap (41 vs 32) makes Dix Blue the marginally brighter of the two.


Old Salem Gray reflects far more light (LRV 32 vs 12), opening up a space where Vintage Vogue encloses it.


Saybrook Sage reflects far more light (LRV 45 vs 32), opening up a space where Old Salem Gray encloses it.


Their light reflectance is nearly identical (LRV 32 vs 31), so neither reads brighter in a room.


At LRV 32 vs 7, Old Salem Gray is decisively the brighter choice.















