Old Salem Gray vs Hardwick White
Where Old Salem Gray belongs to Benjamin Moore's range, Hardwick White is a Farrow & Ball color. Old Salem Gray reads as beige-greige, while Hardwick White reads as greige-grey — two distinct hue families, not close cousins. Hardwick White (LRV 44) reflects noticeably more light than Old Salem Gray (LRV 32), a difference of 12 points that becomes especially apparent in rooms with limited natural light. Old Salem Gray runs yellow while Hardwick White is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 13.0, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Old Salem Gray vs Hardwick White in Real Spaces
4 real rooms side by side. Seeing Old Salem Gray and Hardwick White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Hardwick White reflects noticeably more light off the walls, making the space read more open than Old Salem Gray.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Hardwick White reflects noticeably more light off the walls, making the space read more open than Old Salem Gray.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Hardwick White will make the room feel meaningfully brighter than Old Salem Gray would.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Hardwick White reflects noticeably more light off the walls, making the space read more open than Old Salem Gray.
Color Details
Old Salem Gray vs Hardwick White Simulated Comparison
5 simulated room previews — drag the slider on each to see Old Salem Gray on one side and Hardwick White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Old Salem Gray comparisons
See how Old Salem Gray stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 32), opening up a space where Old Salem Gray encloses it.
At LRV 69 vs 32, Ammonite is decisively the brighter choice.
Old Salem Gray reflects far more light (LRV 32 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 32, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 32 vs 30), so neither reads brighter in a room.
Mizzle reflects far more light (LRV 52 vs 32), opening up a space where Old Salem Gray encloses it.
At LRV 60 vs 32, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 32), opening up a space where Old Salem Gray encloses it.
Old Salem Gray reads slightly lighter (LRV 32 vs 27), a gap that shows most in low-lit rooms.
A 11-point LRV gap (43 vs 32) makes French Gray the marginally brighter of the two.
At LRV 32 vs 4, Old Salem Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 32), opening up a space where Old Salem Gray encloses it.
Old Salem Gray reflects far more light (LRV 32 vs 13), opening up a space where Bancha encloses it.
At LRV 84 vs 32, Pure White is decisively the brighter choice.
A 11-point LRV gap (32 vs 21) makes Old Salem Gray the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 32), opening up a space where Old Salem Gray encloses it.
Shoji White reflects far more light (LRV 74 vs 32), opening up a space where Old Salem Gray encloses it.
Snowbound reflects far more light (LRV 83 vs 32), opening up a space where Old Salem Gray encloses it.
Old Salem Gray reflects far more light (LRV 32 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 32), opening up a space where Old Salem Gray encloses it.
A 9-point LRV gap (41 vs 32) makes Dix Blue the marginally brighter of the two.
At LRV 68 vs 32, Calamine is decisively the brighter choice.
A 7-point LRV gap (32 vs 25) makes Old Salem Gray the marginally brighter of the two.
Old Salem Gray reflects far more light (LRV 32 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 32), opening up a space where Old Salem Gray encloses it.
Their light reflectance is nearly identical (LRV 32 vs 31), so neither reads brighter in a room.
At LRV 32 vs 7, Old Salem Gray is decisively the brighter choice.
A 8-point LRV gap (32 vs 24) makes Old Salem Gray the marginally brighter of the two.
At LRV 57 vs 32, Guilford Green is decisively the brighter choice.
At LRV 72 vs 32, Just Walnut is decisively the brighter choice.