Stonecutter vs Skimming Stone

StonecutterBenjamin MoorevsSkimming StoneFarrow & BallΔE 55.4Very different colors

Stonecutter (Benjamin Moore) and Skimming Stone (Farrow & Ball) come from different manufacturers. Stonecutter reads as blue-grey, while Skimming Stone reads as beige-greige — two distinct hue families, not close cousins. The 60-point LRV gap — 68 for Skimming Stone vs 8 for Stonecutter — means Skimming Stone will open up a space more effectively. Where Stonecutter leans blue, Skimming Stone reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 55.4 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

Stonecutter vs Skimming Stone in Real Spaces

1 real room side by side. Seeing Stonecutter and Skimming Stone in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Skimming Stone reflects noticeably more light off the walls, making the space read more open than Stonecutter.

StonecutterBenjamin Moore Stonecutter living room accent wall

@susanhoyles

Skimming StoneFarrow and Ball Skimming Stone 241 living room

@crosspool_eclectic

Color Details

Stonecutter
Benjamin Moore · 2135-20
LRV8.4
BrandBenjamin Moore
Number2135-20
UndertoneBlue
TemperatureCool
BrightnessDark
Skimming Stone
Farrow & Ball · 241
LRV68.1
BrandFarrow & Ball
Number241
Undertone
TemperatureWarm
BrightnessLight

Stonecutter vs Skimming Stone Simulated Comparison

5 simulated room previews — drag the slider on each to see Stonecutter on one side and Skimming Stone on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Stonecutter comparisons

See how Stonecutter stacks up against other well-photographed colors across different brands and tones.

Stonecutter
Ammonite
Stonecutter
Ammonite
Benjamin Moore
Stonecutter
2135-20 · LRV 8
Farrow & Ball
Ammonite
LRV 69

Ammonite reflects far more light (LRV 69 vs 8), opening up a space where Stonecutter encloses it.

Stonecutter
White Dove
Stonecutter
White Dove
Benjamin Moore
Stonecutter
2135-20 · LRV 8

At LRV 83 vs 8, White Dove is decisively the brighter choice.

Stonecutter
Iron Ore
Stonecutter
Iron Ore
Benjamin Moore
Stonecutter
2135-20 · LRV 8

Their light reflectance is nearly identical (LRV 8 vs 6), so neither reads brighter in a room.

Stonecutter
Purbeck Stone
Stonecutter
Purbeck Stone
Benjamin Moore
Stonecutter
2135-20 · LRV 8

Purbeck Stone reflects far more light (LRV 52 vs 8), opening up a space where Stonecutter encloses it.

Stonecutter
Evergreen Fog
Stonecutter
Evergreen Fog
Benjamin Moore
Stonecutter
2135-20 · LRV 8

Evergreen Fog reflects far more light (LRV 30 vs 8), opening up a space where Stonecutter encloses it.

Stonecutter
Mizzle
Stonecutter
Mizzle
Benjamin Moore
Stonecutter
2135-20 · LRV 8
Farrow & Ball
Mizzle
LRV 52

At LRV 52 vs 8, Mizzle is decisively the brighter choice.

Stonecutter
Agreeable Gray
Stonecutter
Agreeable Gray
Benjamin Moore
Stonecutter
2135-20 · LRV 8

Agreeable Gray reflects far more light (LRV 60 vs 8), opening up a space where Stonecutter encloses it.

Stonecutter
Accessible Beige
Stonecutter
Accessible Beige
Benjamin Moore
Stonecutter
2135-20 · LRV 8

At LRV 58 vs 8, Accessible Beige is decisively the brighter choice.

Stonecutter
Denim Drift
Stonecutter
Denim Drift
Benjamin Moore
Stonecutter
2135-20 · LRV 8

At LRV 27 vs 8, Denim Drift is decisively the brighter choice.

Stonecutter
French Gray
Stonecutter
French Gray
Benjamin Moore
Stonecutter
2135-20 · LRV 8

French Gray reflects far more light (LRV 43 vs 8), opening up a space where Stonecutter encloses it.

Stonecutter
Naval
Stonecutter
Naval
Benjamin Moore
Stonecutter
2135-20 · LRV 8
Sherwin-Williams
Naval
LRV 4

Stonecutter reads slightly lighter (LRV 8 vs 4), a gap that shows most in low-lit rooms.

Stonecutter
Tranquil Dawn
Stonecutter
Tranquil Dawn
Benjamin Moore
Stonecutter
2135-20 · LRV 8

At LRV 55 vs 8, Tranquil Dawn is decisively the brighter choice.

Stonecutter
Bancha
Stonecutter
Bancha
Benjamin Moore
Stonecutter
2135-20 · LRV 8
Farrow & Ball
Bancha
LRV 13

A 5-point LRV gap (13 vs 8) makes Bancha the marginally brighter of the two.

Stonecutter
Hardwick White
Stonecutter
Hardwick White
Benjamin Moore
Stonecutter
2135-20 · LRV 8

At LRV 44 vs 8, Hardwick White is decisively the brighter choice.

Stonecutter
Pure White
Stonecutter
Pure White
Benjamin Moore
Stonecutter
2135-20 · LRV 8

Pure White reflects far more light (LRV 84 vs 8), opening up a space where Stonecutter encloses it.

Stonecutter
Artichoke
Stonecutter
Artichoke
Benjamin Moore
Stonecutter
2135-20 · LRV 8
Sherwin-Williams
Artichoke
LRV 21

Artichoke reflects far more light (LRV 21 vs 8), opening up a space where Stonecutter encloses it.

Balboa Mist
Stonecutter
Balboa Mist
Stonecutter
Benjamin Moore
Stonecutter
2135-20 · LRV 8

At LRV 66 vs 8, Balboa Mist is decisively the brighter choice.

Stonecutter
Shoji White
Stonecutter
Shoji White
Benjamin Moore
Stonecutter
2135-20 · LRV 8

At LRV 74 vs 8, Shoji White is decisively the brighter choice.

Stonecutter
Snowbound
Stonecutter
Snowbound
Benjamin Moore
Stonecutter
2135-20 · LRV 8
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 8, Snowbound is decisively the brighter choice.

Stonecutter
Pigeon
Stonecutter
Pigeon
Benjamin Moore
Stonecutter
2135-20 · LRV 8
Farrow & Ball
Pigeon
LRV 51

Pigeon reflects far more light (LRV 51 vs 8), opening up a space where Stonecutter encloses it.

Stonecutter
Pewter Green
Stonecutter
Pewter Green
Benjamin Moore
Stonecutter
2135-20 · LRV 8

A 3-point LRV gap (12 vs 8) makes Pewter Green the marginally brighter of the two.

Stonecutter
Duck Green
Stonecutter
Duck Green
Benjamin Moore
Stonecutter
2135-20 · LRV 8

Their light reflectance is nearly identical (LRV 8 vs 8), so neither reads brighter in a room.

Stonecutter
Dix Blue
Stonecutter
Dix Blue
Benjamin Moore
Stonecutter
2135-20 · LRV 8
Farrow & Ball
Dix Blue
LRV 41

Dix Blue reflects far more light (LRV 41 vs 8), opening up a space where Stonecutter encloses it.

Stonecutter
Hicks' Blue
Stonecutter
Hicks' Blue
Benjamin Moore
Stonecutter
2135-20 · LRV 8

Stonecutter vs Hicks' Blue

Stonecutter
Slaked Lime Deep
Stonecutter
Slaked Lime Deep
Benjamin Moore
Stonecutter
2135-20 · LRV 8

Stonecutter vs Slaked Lime Deep

Stonecutter
Vintage Vogue
Stonecutter
Vintage Vogue
Benjamin Moore
Stonecutter
2135-20 · LRV 8

A 3-point LRV gap (12 vs 8) makes Vintage Vogue the marginally brighter of the two.

Stonecutter
Livid
Stonecutter
Livid
Benjamin Moore
Stonecutter
2135-20 · LRV 8

Stonecutter vs Livid

Saybrook Sage
Stonecutter
Saybrook Sage
Stonecutter
Benjamin Moore
Stonecutter
2135-20 · LRV 8

At LRV 45 vs 8, Saybrook Sage is decisively the brighter choice.

Stonecutter
Pale Green
Stonecutter
Pale Green
Benjamin Moore
Stonecutter
2135-20 · LRV 8
RAL ClassicClassic
Pale Green
LRV 31

Pale Green reflects far more light (LRV 31 vs 8), opening up a space where Stonecutter encloses it.

Stonecutter
Pine Needle
Stonecutter
Pine Needle
Benjamin Moore
Stonecutter
2135-20 · LRV 8

With LRVs of 8 and 7, the two reflect almost the same amount of light.